With the proper upgrade the F3 allowed for 4:4:4 output using the ports on the rear top of the camera. The Odyssey7Q supports this in ProRes. Definitely better quality than available in-camera.
The camera was created when there was only a single S-Log curve, so S-Log1 it is.
The camera was created when there was only a single S-Log curve, so S-Log1 it is.
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