As far as gimbals go, I see young filmmakers flying their cameras on gimbals all the time.
What I don't see is young filmmakers shooting Pockets or alpha cameras handheld.
Camera shake is ugly. If anyone here has a video on YT that they've personally shot handheld
with a Pocket (meaning handheld, no support whatsoever), I'd love to see it - NOT!!!
Concerning lens compatibility (it's pretty extensive):
The 4D supports a ton of lenses, and the number of compatible lenses will grow.
A bunch of Leitz Summicron, Noctilux and Summilux cine lenses, from 21 to 90mm.
The Leitz cine lenses go for around 10 grand apiece, so not toys.
A heap of E-mount lenses.
The popular Tamron 17-28 and 28-75 that are already in many Sony shooters' bags.
The Apo Lanthar 65mm f/2, a gorgeous macro lens that can also be used for portraiture.
THE ZEISS BATIS 135MM f/2.8. Here's your narrative lens. LOL
and on and on....
https://dronereviewsandnews.com/what...nin-4d-camera/
Your manual lenses become autofocus lenses with LIDAR.
Once a lens is calibrated (5 focus points are entered), the information is stored and there's no need to
recalibrate when changing lenses.
Latency on the wireless transmission is phenomenal (extremely low).
I've seen wireless transmission systems with follow focus that cost as much as the 4D.
Just as with any camera, if weight is an issue over time, the 4D can be attached to an easy rig, which I'm guessing most of us have.
You just have to be careful not to block the sensors at the bottom of the camera (don't hold the camera right up against your chest).
In a ZOOM talk with B&H, Nino Leitner says the skin tones look great and the footage doesn't look too digital,
which were my impressions after playing around with a couple of clips downloaded from DJI's website. Nino does say he saw
rolling shutter on the camera. Having watched the clip he's referring to, it was the ugliest I've ever seen in my life -
and the only instance I recall seeing in his or anyone else's videos.
What I don't see is young filmmakers shooting Pockets or alpha cameras handheld.
Camera shake is ugly. If anyone here has a video on YT that they've personally shot handheld
with a Pocket (meaning handheld, no support whatsoever), I'd love to see it - NOT!!!
Concerning lens compatibility (it's pretty extensive):
The 4D supports a ton of lenses, and the number of compatible lenses will grow.
A bunch of Leitz Summicron, Noctilux and Summilux cine lenses, from 21 to 90mm.
The Leitz cine lenses go for around 10 grand apiece, so not toys.
A heap of E-mount lenses.
The popular Tamron 17-28 and 28-75 that are already in many Sony shooters' bags.
The Apo Lanthar 65mm f/2, a gorgeous macro lens that can also be used for portraiture.
THE ZEISS BATIS 135MM f/2.8. Here's your narrative lens. LOL
and on and on....
https://dronereviewsandnews.com/what...nin-4d-camera/
Your manual lenses become autofocus lenses with LIDAR.
Once a lens is calibrated (5 focus points are entered), the information is stored and there's no need to
recalibrate when changing lenses.
Latency on the wireless transmission is phenomenal (extremely low).
I've seen wireless transmission systems with follow focus that cost as much as the 4D.
Just as with any camera, if weight is an issue over time, the 4D can be attached to an easy rig, which I'm guessing most of us have.
You just have to be careful not to block the sensors at the bottom of the camera (don't hold the camera right up against your chest).
In a ZOOM talk with B&H, Nino Leitner says the skin tones look great and the footage doesn't look too digital,
which were my impressions after playing around with a couple of clips downloaded from DJI's website. Nino does say he saw
rolling shutter on the camera. Having watched the clip he's referring to, it was the ugliest I've ever seen in my life -
and the only instance I recall seeing in his or anyone else's videos.
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