Any tips on best practice techniques for maintaining a good workflow and maximum image/sound quality throughout the project would be appreciated!
Assets:
- DVCPRO HD 720p 23.98fps (shot with HVX)
- Uncompressed 10 bit 1280x720 .mov files (Frames from 3DSMAX compiled to .mov with AE)
Editing with FCP w/ Kona2
Final Output:
-HD FrEND w/ 720p HD display
-DVD w/ 720p HD display + NTSC SD display
Currently the animators are composing in 1280x720 and outputting DVCPRO HD for the "offline" edit, cut on a DVCPRO HD timeline with DVCPRO HD ftg from HVX. Once we have picture lock, I was planning to export all of the DVCPRO HD shots to uncompressed 1280x720 files. The animators would re-render all footage at 1280x720. All of the new footage would then be "onlined" using a new 1280x720 uncompressed sequence.
Any better ideas?
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Junior Member
- Join Date
- May 2006
- Location
- Providence, RI USA
- Posts
- 2
05-10-2006 06:30 AM




Process?: Edit DVCPRO HD w/ Uncomp. 10bit FTG - Output 1280x720

