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    #11
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    Same settings on all other parameters. Saturation is higher on A7 so yes lower and just as you I noticed that ISO does not match so take that into account also.


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    #12
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    And with these settings both FS5 and A7RIII match FS7 in s-log3 with LUT 709A applied.


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    #13
    Senior Member scorsesefan's Avatar
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    Quote Originally Posted by J.Brown View Post
    Same settings on all other parameters. Saturation is higher on A7 so yes lower and just as you I noticed that ISO does not match so take that into account also.
    Thanks. Tried this and it matches pretty well. Just had to bump up saturation a little on the fs5 and add a bit of red in the mids in PP. It almost seems like Sony is following Canon somewhat in their in camera color saturation being a little on the warmer side... Btw what are your slog3 A7III➡FS5 settings?


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    #14
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    I stopped using slog on the 8-bit cameras as I find it not working that great.


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    #15
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    Ok thanks


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    #16
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    I’ll need to post a write up on using an xrite colorchecker and Atomos false color to match my FS5 and A7R4 across several profiles... hint, the false color will also pick up specific color channel luminance in the chips. Worked well but might be a couple weeks until I actually get time to write more than this paragraph, let alone assemble some visuals
    Pudgy bearded camera guy
    http://mcbob.tv


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