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    Quote Originally Posted by Liam Hall View Post
    To be fair, I think they are both great cameras. The only sensible points I can make about the two films is the C500 will be easy to put on a gimbal/drone and also easy to shoot proper anamorphic.
    One of my reservations about the FX9 is that it only fits on the more expensive gimbals.
    On the other hand, for the price difference I could also get a Mōvi Pro. Or an A7SIII (whenever that is released) and a smaller gimbal.
    But if you need more than internal codec then the FX9 on a gimbal is not very feasible. Especially not for raw.
    Sony NEX-FS700R | A7S | Odyssey 7Q+ | Atomos Ninja V
    FE: Sony 24-70/2.8 GM, 70-200/2.8 GM, 28-135/4, 50/1.8, 28-70, SEL: 50/1.8, 35/1.8, 18-105/4
    Samyang 16, 35 & 85mm Cine
    Sachtler Flowtech 75 | Benro S8
    MacBook Pro 2018 6-core i7 2.6 ghz / 32gb ram / 512gb HD | macOS Catalina
    Hackintosh i7-8700K 6-core 3.7 ghz / 32 gb ram / 512gb NVMe / Radeon RX 580 | macOS Mojave


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    First video with both cameras at the same time? (not much, if any, new information though)
    Sony NEX-FS700R | A7S | Odyssey 7Q+ | Atomos Ninja V
    FE: Sony 24-70/2.8 GM, 70-200/2.8 GM, 28-135/4, 50/1.8, 28-70, SEL: 50/1.8, 35/1.8, 18-105/4
    Samyang 16, 35 & 85mm Cine
    Sachtler Flowtech 75 | Benro S8
    MacBook Pro 2018 6-core i7 2.6 ghz / 32gb ram / 512gb HD | macOS Catalina
    Hackintosh i7-8700K 6-core 3.7 ghz / 32 gb ram / 512gb NVMe / Radeon RX 580 | macOS Mojave


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    Senior Member powervideo's Avatar
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    I'm thinking that corporate clients will go crazy for the FX9 after shooting a presenter walking toward camera on a 70-200mm and the AF Face recogition nailing the focus. There will be less retakes for focus; happier actor, happier director and less stressed DoP.


    Quote Originally Posted by LennyLevy View Post
    Chappell:
    white balance in Cine EI and Dual ISO and though you did mention it above Autofocus all 3 are big deal.
    Will you make more money , not at first, but if it becomes the popular flavor camera it will make a difference.

    Personally I'm liking it especially if it will intercut with existing FS7s
    Peter Corbett
    php.com.au


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    Doesnt the 500 II also have that AF?


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    Quote Originally Posted by powervideo View Post
    I'm thinking that corporate clients will go crazy for the FX9 after shooting a presenter walking toward camera on a 70-200mm and the AF Face recogition nailing the focus. There will be less retakes for focus; happier actor, happier director and less stressed DoP.
    This would be huge for some of my more temperamental talent that also sign the checks...
    ___________________________________________

    J.Cummings-Lighting Cameraman
    http://www.ohfilmworks.com
    IMDb


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    My desk is getting a little crowded:

    IMG_6078.jpg
    New Website: www.liamhall.net
    TWITTER: @FilmLiam
    INSTAGRAM: @picsbyliam


    4 out of 4 members found this post helpful.
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    Quote Originally Posted by Martin.G View Post
    Doesnt the 500 II also have that AF?
    It has the Dual-Pixel AF. Whether it will also have AI, as in EOS R, is not presently known.

    Or I might have missed that part.


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    AF works great on the C500 MKII. Having the touch screen makes it an absolute breeze to use. It works flawlessly with my Sigma Primes and even works with my ancient L series zooms.
    New Website: www.liamhall.net
    TWITTER: @FilmLiam
    INSTAGRAM: @picsbyliam


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    Liam, could you do a test vs the Alexa?


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    Quote Originally Posted by sebben View Post
    Liam, could you do a test vs the Alexa?
    I don't have an Alexa, just an FS7. C500 mkII smokes the FS7.
    New Website: www.liamhall.net
    TWITTER: @FilmLiam
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