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    Senior Member
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    I think a lot of "down" votes can have a poster banned/unable to post. IOW, three red squares and you're out.

    It doesn't do anything on the "plus" side per se but, when one sees posts from those with a lot of yellow squares like Barry Green (shouldn't Barry have green squares?), Mitch Gross, PureDrifting, et.al, it implies a very credible poster with a solid take on whatever topic is being brought up.


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    Senior Member Alvise Tedesco's Avatar
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    Quote Originally Posted by NorBro View Post
    I know AF is not important to everyone but for me the X-T3 almost ruined a job (with a good AF lens) after its 3.00 update. Just was completely unpredictable and not sure what went wrong (I had pretty great AF results with the X-T30 the weeks before).
    So it's not just me. I'm not sure, really but I think I remember better autofocus when I bought the camera
    Does anyone knows it for sure?
    Is there a way to downgrade? Witch version?


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    Senior Member reem12's Avatar
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    I concur version 3.00 on the xt3 is near unusable most of the time. I've been pretty much using the manual focus with focus peaking to ensure my shots, but this defeat the purpose of me upgrading for technological advances as there are the comparable cameras that can be used with equal if not better image quality. Very disappointed with fuji's autofocus upgrade. Hoping they will address this issue, as I love everything else about this cam.


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    When owners contact tech support..


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    Resident Preditor mcgeedigital's Avatar
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    https://youtu.be/siWbE5fVgo0

    100% shot on the X-T3.
    Matt Gottshalk - Director/ Dp/ and Emmy Award Winning Editor
    Producer, Digital Creative for the United States Postal Service


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    Senior Member puredrifting's Avatar
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    Quote Originally Posted by mcgeedigital View Post
    https://youtu.be/siWbE5fVgo0

    100% shot on the X-T3.
    Cool stuff Matt. Like your interview BG lighting on him with the lockers and the warm tones.

    Did you shoot 120fps 1080 for your slow motion or is that 4K 60fps slowed down more?

    Your piece is a good example too of creative use of stills, we are doing the same on our Docu Series, I like stills mixed in.

    For your moving shots, are those gimbal or handheld?

    Thanks for sharing it.
    It's a business first and a creative outlet second.
    G.A.S. destroys lives. Stop buying gear that doesn't make you money.


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    Really nice, Matt. Would love to know a bit more about how you approached this project. And sure, I'd like to know what glass etc you used. Also, why did you go X-T3 on this job?

    But mostly, I just want to say great work.
    ----------
    Jim Feeley
    POV Media


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    Resident Preditor mcgeedigital's Avatar
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    Quote Originally Posted by puredrifting View Post
    Cool stuff Matt. Like your interview BG lighting on him with the lockers and the warm tones.

    Did you shoot 120fps 1080 for your slow motion or is that 4K 60fps slowed down more?

    Your piece is a good example too of creative use of stills, we are doing the same on our Docu Series, I like stills mixed in.

    For your moving shots, are those gimbal or handheld?

    Thanks for sharing it.
    Thanks Dan,

    Slomo was 1080/120fps.

    Moving shots were on sticks with a 50-140mm.

    I directed/produced/edited this but did not shoot this time as I am about to go into surgery for a pretty serious arm injury.

    DP was my good friend Peter Niccol.

    Best,

    Matt
    Matt Gottshalk - Director/ Dp/ and Emmy Award Winning Editor
    Producer, Digital Creative for the United States Postal Service


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    Resident Preditor mcgeedigital's Avatar
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    Quote Originally Posted by Jim Feeley View Post
    Really nice, Matt. Would love to know a bit more about how you approached this project. And sure, I'd like to know what glass etc you used. Also, why did you go X-T3 on this job?

    But mostly, I just want to say great work.
    Thanks Jim.

    Glass was Fuji 16-55mm for the interview. Same and the 50-140mm for the Broll.

    I insisted on the X-t3 for this one because it was the look I wanted.

    Peter had no issue with the request, because a few months prior I had become a bad influence on him and convinced him to buy it. ;)
    Matt Gottshalk - Director/ Dp/ and Emmy Award Winning Editor
    Producer, Digital Creative for the United States Postal Service


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    Looks great, Matt. Xt-3 + 16-55m has become my default recommendation in the price range. Really punches above its weight! Hope surgery goes smoothly.


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