Thread: Scriming lights

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    #11
    Mod v2.0 Noel Evans's Avatar
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    Other things can also effect your light output such as bulb age for example. Best way to be sure that light A is putting out equivalent to light B in any given situation is by light meter I realise thats not helpful as you said without calculating on a light meter.

    Another way would be to point your cam at a white wall with the light head and use a waveform to read the ire. And then swap lights and do the reading on the second unit / make changes until they match ire level.
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    #12
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    Full/Double scrim = 1 stop
    Half/Single scrim - 1/2 stop

    Full/Double scrim (1-stop) [Half the light]
    1,000w = 500w

    Half/Single scrim (1/2-stop) [Quarter of the light]
    1000w = 750wSo, if Im adding a gel to it;
    1000w + Full CTB (1-stop) = 500w
    1000w + 1/4 CTB (1/4-stop) = 750w

    Everything right?
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    #13
    Senior Member Bern Caughey's Avatar
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    In practice Full CTB reduces the intensity closer to 1.7 stops of light. Often 2.


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    #14
    Senior Member Moseph's Avatar
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    1/4 CTB cuts the light by a little over half a stop too. Quarter, half, and full don't correspond to the F stop reduction, it's solely the color temperature change.


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    #15
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    Oh. Good you pointed that out. thanks
    I know it wasnt related to f-stops, but I thought that it might have been roughly the same.
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    #16
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    So, CTB is roughly 2x the amount stated:

    1/4 CTB = approx 1/2-stop
    1/2 CTB = approx 1-stop
    1 CTB = approx 2-stops

    what about CTO gel?
    how much light loose would it be? if its possible to calculate.

    1/4CTO =
    1/2 CTO =
    3/4 CTO =
    1 CTO =
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    #17
    Steak Knife Member David G. Smith's Avatar
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    From "Motion Picture and Video Lighting" By Blain Brown.

    Conversion factor and light loss.jpg
    "The enemy of art is the absence of limitations"
    -Orson Wells.

    "To me the great hope is... people that normally wouldn't be making movies will make them and suddenly some little fat girl in Ohio will be the new Mozart and will make a beautiful film using her father's camera-corder and the "Professionalism" of movie making will be destroyed forever and it will finally become an art form."
    -Francis Ford Coppola.


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    #18
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    Awesome!
    MICHAEL FRYMUS
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