Thread: From Vegas to Premiere
Results 11 to 20 of 23
-
-
Stefan Huber
Director – Cinematographer – Editor
www.stefanhuberfilms.at
vimeo.com/stefanhuberfilms
facebook.com/stefanhuberfilms
instagram.com/stefanhuberfilms
-
Senior Member
- Join Date
- May 2009
- Location
- Washington, DC
- Posts
- 429
08-21-2012 02:54 AM
-
-
09-14-2012 07:05 PM
I too am a former Vegas user. The first thing I did in CS6 was change the CTRL+K shortcut to S like it is in Vegas. I loose the Snap shortcut that way, but I never mess with it anyway, so S for split works just fine. Be warned though, it only works on selected tracks.
-Shot in El Director Vision-
FIND US ON FACEBOOK
Help us fund LEAP: REVELATION on Kickstarter!
Writer/Director/Producer/Cinematographer/Editor/Composer/Stuntman
Canon 550D with Magic Lantern/Final Draft/CS6 Production Premium/Blender 2.66/Mixcraft 5.0
Wulf-2008 | Leap-2010 | Leap: Rise of the Beast-2011 | Leap: Revelation-2013
-
09-19-2012 02:08 AM
Me again. Started to work with waveforms for color correction but the measures are from 0.1 to 1.2 instead of the usual -20 to 120 I used to have in Vegas. Any way to set this the same way (IRE ?) ?
Edit : so apparently I should have a setup button on the waveform but it's not there and I can't find how to get it back...Last edited by Fukurou; 09-19-2012 at 02:16 AM.
-
Senior Member
- Join Date
- Aug 2008
- Location
- USA
- Posts
- 1,688
09-19-2012 07:58 AM
PAL media will show the range in volts. NTSC/ATSC will show it in IRE. Nothing you can do about that.
-
09-19-2012 01:18 PM
Aw, ok. Thanks. I'll google references in volt but any tips ? I've got the black line already, but what value is white, and between where and where is supposed to be the skin ?
-
Senior Member
- Join Date
- Aug 2008
- Location
- USA
- Posts
- 1,688
09-19-2012 01:54 PM
Good questions. I just don't know the answers.
-
09-19-2012 04:55 PM
Here is a tip for both of you
Put some Black Video (create New Item) ..and some Color Bars on the timeline. You will see where they sit.www.shooterfilm.co.nz
Adobe CS6 Production Suite, Win7 Pro
AF102 : RR baseplate & Lens support, F/F, Shoot35 Cinebox, Panasonic 1700HD Monitors. Adaptimax adapters. Ikan VX7e.
Prime Lenses: Nikkors . 20/f2.8, 24/f2.8, 28/f2.8, 35/f2.8, 50/f1.4, 50/f2, Micro 55/f3.5, Micro 60/f2.8, 85/f1.8, 105/f2.5, 135/f2.8, Contax -Zeiss 28/f2.8, 35/f2.8, 50/f1.7, 85/f2.8
VariPrimes: Nikkor 17-35/f2.8, 28-70/f2.8,
GH2. Olympus 14-54 MkII
Cartoni , Weaver Miller Heads , Miller legs. Slider






