When you got very flat light, such as that during overcast, it means you have light coming from all directions (sort of). By placing a negative fill close to the subject you are effectively reducing the light from that direction, even if it's just by a little. This, as Moseph mentioned helps to create a less flat look.
Thread: Dissect setup in this scene
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08-01-2012 10:08 AM
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08-01-2012 10:11 AM
I guess this could easily amount to 1 or more stops of light difference. Take your light meter and meter it towards and away from light source (or overcast) and I guess that's the idea. It all makes very good sense indeed.






