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    #31
    Senior Member nyvz's Avatar
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    Maybe they'll also finally let us know what the 4k ready option on the FS700 is about.
    Noah Yuan-Vogel
    http://www.noahyv.com


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    #32
    Senior Member
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    Oct 2009
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    FS700 isn't XDCAM...
    Sony F35 with SR-R1 SRMemory Recorder
    Sony PMW-F3 /w S-Log 4:4:4 Upgrade
    Arri Ultra Prime Set

    www.binarydreams.com


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    #33
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    Maybe the FS700 4k recorder is XDCAM?


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    #34
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    mpeg 422. well welcome to several years ago, sony.


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    #35
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    A F5 with quad hd and 200Mb 422 xdcam codec would be grand. put in s-log and a price that is around the c300 and you would really have at least the next big sensor thing. I think what we really need is compressed 4k. Compressed 4k would be a perfect basis for high quality 2k or full hd delivery. 10 bit wouldn't hurt but I think maybe panasonic will give us that with a version of their abc ultra (i wonder if there is a 10bit 400Mb quadHD avcintra in there somewhere). On the same theme a 4K 2/3 camera would be interesting as well. We all know how nice and convenient it is to make a sd-delivery from hd think about having the same possibility going down to HD.


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    #36
    Senior Member Allan Black's Avatar
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    Nov 2004
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    Loose Gravel Sydney.
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    Quote Originally Posted by powervideo View Post
    There will never be an "F4", as many have mentioned before; 4 is an unlucky number in Japan. It sounds like "death" in Japanese. But on a lighter note, the F3 is being rebated at the moment so that might be a connection.
    4 is unlucky in Chinese I believe, in Japanese is means they haven't sold enough .. yet.

    Cheers.
    35yrs with our own a/v production company and studios.


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    #37
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    Oct 2008
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    Is the camera not 'out there' as per the industry thread..


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    #38
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    30 mins to go....


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    #39
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    http://pro.sony.com/bbsc/ssr/micro-x...AMPMW200.shtml

    "Equipped with three (3) ½-inch-type Full HD Exmor CMOS sensors, the PMW-200 achieves high resolution, high sensitivity, low noise and wide dynamic range. These capabilities are essential for the professional when shooting under extreme lighting conditions*. Each sensor has 2-million effective pixels and achieves full HD 1920x1080 shooting without pixel interpolation."


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    #40
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    waa waa…2/3 would have been lethal


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