Peter Jackson posted some interesting words on his Facebook page just now with regards to the 48fps issue.
Original link: http://www.facebook.com/notes/peter-...51078936971558... let me give you more detail about my decision to screen the Hobbit Reel at Comic Con in 2-D and 24 fps. My LA Times quotes are brief and the topic deserves a little more detail than that. We have conducted many private screenings of Hobbit footage in the US and several international territories, running the same reel twice - once at 24fps, and secondly at 48fps. This has allowed distributors and exhibitors direct comparison of the two formats. The response has been universally strong for the higher frame rate of 48fps.
When we screened only the 48fps reel at CinemaCon a few months ago, some bloggers focussed stories, not on the content, but on their negative reaction to 10 mins of high frame rate footage. This reaction convinced me that the only fair way to experience 48fps, is to sit down and watch a complete feature length movie, with a narrative, not quick trailer cuts. Do I want the ComicCon Hobbit stories to be all about 48 fps? Of course I don't. I want to present footage from a movie we're all proud of, with terrific performances and I'm looking forward to seeing what you think.
I've always been happy to bet on myself, and for me the experience of watching the full Hobbit movie in 3-D and 48 fps is something really special. Fully immersive, like stepping into Middle-earth. The screen disappears, and you enter the world of the movie in a vivid way. I love it.
The subject of high frame rates has serious film industry implications, and it's important that it's judged in the fairest possible context. I'm afraid that a presentation of a short clip reel in a huge convention center is simply not the way to do it. I'm sorry if people attending Comic Con were hoping to see a glimpse of 48 fps, but let me say that in December, if you choose to see the Hobbit in a great cinema, projecting the higher frame rate, you will be in the best place to make up your own mind. And you will have the choice - there will be plenty of cinemas screening both versions.
Here's my prediction: this time next year, there will be several movies shooting at 48 fps. As an industry, we have to push the current technology to provide more spectacular and immersive experience in the cinema, on a nice huge screen.
Results 1 to 10 of 47
-
Senior Member
- Join Date
- Sep 2011
- Location
- In a developing country...
- Posts
- 638
07-13-2012 10:02 AM
-
Senior Member
- Join Date
- Mar 2010
- Location
- Central NC, USA
- Posts
- 533
07-13-2012 12:12 PM
I for one am looking forward to seeing it in 2D 48fps. I'll drive to another city if I have to. And I probably will have to. Sigh...
-
Senior Member
- Join Date
- Feb 2009
- Posts
- 418
-
-
Senior Member
- Join Date
- Sep 2011
- Location
- In a developing country...
- Posts
- 638
-
07-17-2012 05:35 AM
-
07-17-2012 07:00 AM
I think 3D will evolve and be something customary in the future, but right now the resistance forces are greater since the technology is in its infancy, it's cumbersone and doesn't add much technical-artistical depth to the narrative. I fully endorse the choice of frame rates, a director or DP should be free to shoot and display a piece in the frame rate that he/she intends and not be limited by standards.
Acintyah khalu ye bhava na tams tarkena yojayet
There's no use arguing over that which is inconceivable
Pietro Impagliazzo
vimeo.com/impa
impagliazzo.500px.com
-
Senior Member
- Join Date
- Sep 2011
- Location
- In a developing country...
- Posts
- 638
07-17-2012 10:07 AM
I agree. 3D will continue to be used for the blockbusting epic films, but it won't become a standard by any degree. The expense and impracticality of shooting 3D just doesn't out weigh the advantages (Which are? A little depth? I like my bokeh, thank you very much).
-
-
07-18-2012 11:25 AM
My eyes literately hurt when I watch 3d.




Peter Jackson posts some words on 48fps and his recent decision




