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    #11
    Senior Member
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    May 2011
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    Copenhagen
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    Carter, did you happen to take a snap of that setup? Would love to see it..


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    #12
    Senior Member ian dart's Avatar
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    Aug 2007
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    melbourne, australia
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    157
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    DSC01643.jpgi made up a set of various size clamps the cheap way... i just put a 3/8 bolt thru them

    cheers


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    #13
    Senior Member Gabel's Avatar
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    Jan 2011
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    Stockholm, Sweden
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    Thans very much, this is one of the most useful things I've seen in a long time!
    Help support my Lovecraft inspired 80s horror film I'm DPing on 16mm:
    http://www.indiegogo.com/insanemadness
    http://www.facebook.com/insanemadness2012

    Gabriel de Bourg Cinematography
    www.gabrieldebourg.se



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    #14
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    Quote Originally Posted by legrevedotcom View Post
    Carter, did you happen to take a snap of that setup? Would love to see it..
    Nope, I meant to but it was a hustle to get it rigged. Basically a patio about 14' x 20' with a grill at the end, covered with 2x4's on their sides with about 4" between each "slat" - so hard stripes of full sunlight on the set. We just used spring clamps to stretch diffusion fabric overhead, used about 4 pieces of 4' x 9'.

    Since the grill was at the end and was getting some sun, we used superclamps to attach a 6x6 Westcott Scrim Jim to the edge of the pergola and extended the diffused "ceiling" by another 6' for safety - clamped one end to the end of the lumber and supported the other end with a sandbagged beefy baby.

    I usually have a sack of "diffusion" with me; just sort of stretchy-soft polyester from the fabric store, about 4' x three yards, 4 or 5 sheets. Indoors, for big soft light, I make sort of a 'wall' with c-stands and 5/8 metal tubing, and clip the sheets to it for what's essentially a ceiling height x 4, 8, or 12" "softbox" - then I stick open faced HIDs behind it. Used that forever with strobes for fashion stills, great when you want that natural and soft light - just a big wall of glowing white. You can angle it off to the side or do it straight on (behind the camera). So I had enough material to cover the "ceiling" outside. (I have a huge duffel with diffusion, duvatyne, and yards of black felt - the black felt is cheap enough I don't mind cutting scraps or strips for special black out needs, and it's very light weight. The whole bag seems to weigh a pound or two and it's a life saver - I'll stick that white fabric in places you just wouldn't want to put a pricey 12x12 silk, don't care if it gets dirty or torn, etc).


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    #15
    Senior Member RickyC's Avatar
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    Nov 2011
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    Houston
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    153
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    Not really new, Its just a furniture clamp. Can't say they aren't awesome though, other companies make similar parts:
    http://www.cinegearstore.com/product...-Baby-Pin.html
    http://www.cinemagadgets.com/productdetail/3017

    Or you can get the whole clamp here:

    http://www.cinemagadgets.com/categor...rniture-clamps



    A lot of clamps have just baby pins welded on them. I'm planning on purchasing a bunch of c-clamps and welding baby pins and junior receivers on them. And save a few bucks
    Considering a 10" c clamp with baby pin is like 60-70$ and the clamp itself is around 25$ while each pin is maybe 5$


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    #16
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    Indeed, I've seen every variant - I like these for their either-way mounting, T-handles vs. thumbscrews and generally elegant approach.

    I have about a dozen furniture clamps from 6" to 36" so a slide-on piece appealed to me. (And I don't own a welder...)


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