Actually, I'm a photographer. So light is my medium. I understand the difference in the way colors work between pigments and light. In pigment, the absence of all color is white, and the presence of all color is black. In light, the opposite it true -- the absence of all color is black, the presence of all color is white.
All that being said, my practical experience with compositing has shown that in less-than-perfect greenscreen lighting conditions, it's necessary to use some latitude in green colors in order to get the composite. And when we start using a wider range of green shade in the compositing, then the existence of blue and yellow in the elements we don't want to turn transparent becomes more important.
Results 11 to 11 of 11
-
Chapelgrove Films
- Join Date
- May 2006
- Location
- North Carolina
- Posts
- 3,461
05-08-2012 09:15 PM
It's a KILLER connection!
Now available for rent or purchase on Amazon.com
http://www.amazon.com/Tangled-Web/dp...5862804&sr=1-1
Facebook - https://www.facebook.com/TangledWebMovie






