Anyone here catch it?
Heres the link to what they discussed. Formerly $15K now $3.5K. Still using FCP7 and CS5, but being able to cut, comp, colour in one app - with all the high end tools / hardware interface for grading etc has certainly grabbed my attention.
http://www.the-area.com/blogs/discre...2013_announced
Results 1 to 10 of 10
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04-20-2012 05:29 PM
SDC Productions Gold Coast Aust. http://sdcproductions.com.au
admin@scarlet-films.com +61 (0) 408 455 374
http://www.ozcrews.tv/
ECHOES ON THE WAVES - IN EDIT http://www.facebook.com/home.php?sk=...643079268&ap=1
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04-20-2012 05:31 PM
I saw this, totally exciting! Looks major awesome!
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SDC Productions Gold Coast Aust. http://sdcproductions.com.au
admin@scarlet-films.com +61 (0) 408 455 374
http://www.ozcrews.tv/
ECHOES ON THE WAVES - IN EDIT http://www.facebook.com/home.php?sk=...643079268&ap=1
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04-20-2012 06:25 PM
Presentation I saw demoed was buggy and crashed often.
Having run smoke, I can say that it excels in finishing, not so much in editing.Matt Gottshalk - Dp/Editor
McGee Digital Media
EPIC-X #00740 "Decker"
Duclos 11-16mm
RPZ 17-50mm
Red 50-150mm
Panasonic AF-100
Panasonic HPX-250
Cinevised Zeiss ZF primes
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04-23-2012 12:54 AM
Keeping in mind this is a new product thats not yet in Beta and now incorporates a standard editing interface.
SDC Productions Gold Coast Aust. http://sdcproductions.com.au
admin@scarlet-films.com +61 (0) 408 455 374
http://www.ozcrews.tv/
ECHOES ON THE WAVES - IN EDIT http://www.facebook.com/home.php?sk=...643079268&ap=1
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04-23-2012 01:09 PM
I rather go with Adobe Production Premium CS6 with Speedgrade.
Bolex Rex-4 Ultra-16mm, Canon XHA1, Nebtek/Marshall V-R70P-HDA w/Canon plate, SGpro r3, SGFlipmodule, SGpro FF w/generic speedcrank, RR Mattebox, Cartoni Focus with Gitzo Legs, Nikkor 16mm f2.8, 24mm f2.8, 28mm f2.8, 35mm f2.0, 50mm f1.4, 85mm f1.4, 105mm f1.8, 135mm f2.0, 300mm f4.0, 70-210 f4-5.6D.
MacPro, Macbook Pro 13, Adobe Creative Suite CS5.5 Production Premium, Final Cut Studio 3, Digi 003 Factory, Logic Studio Pro, Pro Tools 9, Presonus Lightpipe, Presonus Digimax FS. KRK V6 and NS10's
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05-02-2012 04:34 PM
Well the attraction for me in Autodesk smoke is the ability to - as I previously stated, cut, grade and comp in one app. Rather than for example, cut in Premiere, grade in Speedgrade and then comp in AE. The NEW smoke has a GUI built into for all three components. This is an all brand new version of smoke, so whether previous versions werent really designed for cutting will be moot in the new version as clearly from the video presentations the Edit GUI is designed purposefully for this process alone. Im on the Beta version list so looking forward to trying it out.
SDC Productions Gold Coast Aust. http://sdcproductions.com.au
admin@scarlet-films.com +61 (0) 408 455 374
http://www.ozcrews.tv/
ECHOES ON THE WAVES - IN EDIT http://www.facebook.com/home.php?sk=...643079268&ap=1
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05-02-2012 05:23 PM
Just saying as a smoke editor that I saw very little at NAB that would lead me to want to cut on it.
Finish yes.Matt Gottshalk - Dp/Editor
McGee Digital Media
EPIC-X #00740 "Decker"
Duclos 11-16mm
RPZ 17-50mm
Red 50-150mm
Panasonic AF-100
Panasonic HPX-250
Cinevised Zeiss ZF primes
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Senior Member
- Join Date
- Mar 2012
- Location
- Beverly Hills, CA
- Posts
- 319
05-02-2012 05:32 PM
Great idea, have been looking for an integrated tool for long time. GPU accelerated PPro is currently the speed king for real-time editing in its price range. The Smoke demo, especially node based editing, looks excellent, but it also looks very slow. I rarely boot my 12-Core MacPro into OSX, however if this tool is fast & stable once released, that could change.




Autodesk smoke - NAB presentation

