Yes indeed Adrian. My only problem right now is that I do not have a copy of Premiere CS 5.5, so my edits end up being in 1080p. The images I'm getting inside redcine X are breathtaking. Also to note is that I've not downconverted the original files to prores 4:4:4 but to prores 4:2:2 HQ due to my hard disk performance, which made for some loss in quality of the footage. Am still working on an optimal workflow, still reluctant on going Premiere but it seems inevitable for absolute best quality and workflow for Red footage (affordable, that is, not "Shake" or "Smoke" !)
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Senior Member
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03-07-2012 01:28 AM
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Cross-Examiner
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03-07-2012 02:12 AM
RED ONE @home
#111Emanuel & Co's RED ONE
#647
RED ZOOM LENSES
#156
#157
RED 300mm LENS
#82Who am I?
LINK
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03-07-2012 02:37 AM
Sergio, that was absolutely fantastic... The mood of the shots were great. Congratulations on getting the RED EPIC. It's a great system...
Pappas
http://pappasarts.wordpress.com
"The talent of an artist is never measured on how real they can create something, it's on how much life they can give it"
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Senior Member
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03-07-2012 02:50 AM
Thanks Pappas! Seems like yesterday we where here discussing compression with the dvx/hvx, the Andromeda... 6 years we've been around here
Still love this place!
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03-07-2012 03:01 AM
We both joined DVX in 2004, and we've seen the growth of all this. This place is one of kind Sérgio.. Good people, fun times! :-)
Pappas
http://pappasarts.wordpress.com
"The talent of an artist is never measured on how real they can create something, it's on how much life they can give it"
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04-12-2012 06:11 AM
Fabulous. Also an object lesson in proper seque , transitions and use of fluid panning!
I do note though...in the end it's all about 1080p delivery but I imagine 5K>1080p is graceful downsampling no?






