I try to make my stuff look as cinematic as I can with my skillset, and no matter what I do it still doesn't seem to "look" cinematic to my eyes. Although others watch it and say that it does. Is that just something thats going to happen? Something I can't really put my finger on?
I mean, there's other people's stuff that I watch that doesn't look cinematic to my eyes.. but its like I can't figure out why none of the stuff I do looks that way to me.. either it really "isn't" or its just impossible for you to see your own stuff that way.
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02-26-2012 08:22 AM
Joseph Lavender
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02-26-2012 12:07 PM
Show us some examples that you don't consider cinematic and some that are...
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02-26-2012 12:16 PM
I also suggest showing footage straight from the camera, then after you have post processed it to 'cinematicness'...
Part of the 'cinematic' look is lighting, staging, etc. that affect the captured image. The other part is the post processing. Modern 'cinematic' tastes tend to be desaturated from 'technicolor/kodachorme' bright/saturated colors, except possibly for comedies or other 'light' fare. Even there there is scene to scene matching of colors.
If you are really worried, zap all your color, give your B&W image a good contrast, and look at the values. If you image looks like something you'd want to put on your wall as an 'art print', you're getting there...
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02-26-2012 12:54 PM
Here's some lighting tests I was doing last night.


And some from a previous camera test I did.
http://vimeo.com/34783127
A teaser thing I did...
http://vimeo.com/34300544
and then some stuff that looks cinematic to me.. using similar gear...



http://vimeo.com/18351709Joseph Lavender
Writer/Producer/Director/Actor/
IMDB
www.blackflightstudios.com
EXIT 101 halloween Party Massacre available on DVD nationwide at many retailers!
The Legend of Seven Toe Maggie is due out this summer!
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02-26-2012 01:13 PM
Your stuff has harder lighting and the blocking with the camera height and angles is also harder too.
Cinema is more soft and more seamless. Generally lighting as more of an atmosphere and some soft sources, mixed with hard sources.
Lens choices are also more standard as well, 24mm, 35mm, 50mm, 85mm, etc (Super 35mm / APS-C sensor size) each for specific type of shots (Wide, Normals, Close up)
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02-26-2012 01:23 PM
Yeah, but I was using "soft" lighting... so I guess I am confused now.
Joseph Lavender
Writer/Producer/Director/Actor/
IMDB
www.blackflightstudios.com
EXIT 101 halloween Party Massacre available on DVD nationwide at many retailers!
The Legend of Seven Toe Maggie is due out this summer!
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02-26-2012 01:32 PM
Your soft lighting is very close to the subject (ye can see it in your eyes) so the effect makes it harder with the shadows and reflections and what not
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02-26-2012 02:18 PM
I thought the rooms in my house were fairly big... Not sure how to get it further away. I was using 2 softboxes.
Joseph Lavender
Writer/Producer/Director/Actor/
IMDB
www.blackflightstudios.com
EXIT 101 halloween Party Massacre available on DVD nationwide at many retailers!
The Legend of Seven Toe Maggie is due out this summer!
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02-26-2012 02:31 PM
Despite being called "softboxes" I find softboxes very directional. Unless you are using softboxes at least 4x4 or larger, you basically getting a hardlight with diffusion.
This is why I prefer 4x4 or 6x6 frames
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02-26-2012 02:34 PM
Oh. And I feel your two shots that you called not cinematic would improve with some small dolly movement like from a slider. Can't tell from a still, but that might help carry the emotion of the actor.




Cinematic Aesthetic.. is it impossible to see in your own stuff?


