Hi folks! Got back the first two test rolls I put through my new (to me) super 16mm K-3, thought I'd share it in all its grainy, flickery, jittery goodness:
Transferred to 2K Cineform RAW.
Transcoded to Apple ProRes 4444 for cutting/grading - was going for a soft retro look this time around.
Camera: Krasnogorsk-3, s16mm, PL mount
Lenses: 35mm, 50mm Lomo 2x anamorphic
Film: Expired Fuji Eterna 250D and Kodak V2 200T
Processing: Niagara Custom Lab
Transfer: Frame Discreet
Thanks for checking it out!
Thread: s16mm anamorphic
Results 1 to 10 of 20
05-16-2011 01:13 PM
Last edited by ryancglover; 05-16-2011 at 01:17 PM.
05-16-2011 03:53 PM
makes me really miss shooting on Super 16! I've got a bunch of stock thats been in my fridge for years that I should put to use!
05-17-2011 11:15 AM
Did you get the lens aligned with the new gate? My friend had a S16 K3 awhile back, but never had it aligned so you had to be zoomed in a bit on that stock lens they come with to fill the frame, which was a major drag.
05-17-2011 12:19 PM
05-17-2011 12:43 PM
Ah right, I forgot that a 35mm will more than cover the S16 frame. Keep shooting with that K3! I just sold mine, and will live vicariously through you.
05-19-2011 02:36 PM
- Join Date
- Apr 2005
- Seelys Bay, Ontario
I love it. But you don't really need a super16 gate to shoot full anamorphic, as you have to cut the sides to get the right aspect ratio anyway, just like you would with Hd Video.
Did you have the transfer do the unsqueeze or did you do it yourself.My films are at www.vimeo.com/channels/beeflix
05-19-2011 07:51 PM