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    Truelight Light S-LOG plugin
    #1
    Senior Member starcentral's Avatar
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    Found this on Sony's pro website. One, it clearly shows the benefits of shooting S-LOG and being able to preserve typically "lost" information in highlights and shadows. Secondly, this plug-in for your software makes it easy to "S-LOG color correct" your scene!

    Seriously cool stuff! Check out pages 8, 9, 10, 11, and 12.

    http://pro.sony.com/bbsccms/static/f...ightPlugin.pdf


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    #2
    Director of Photography TimurCivan's Avatar
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    Am i the only one that thinks sLog doesnt look bad?

    I kinda like it.... i like seeing all the detail.
    Director of Photography
    www.timurcivan.com www.tstopcinema.com 917-589-4424
    Visit my blog: T.stops : <- click here
    "He who thinks interms of catching mice, will never catch Lions."


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    #3
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    it's gonna cost a few grand in the very least. but it's nice to see more simple straight forward color management solutions. I've been stuck in a 709 world for way too long, hopefully this will be something somewhat affordable...


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    #4
    Senior Member Alvise Tedesco's Avatar
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    Quote Originally Posted by TimurCivan View Post
    Am i the only one that thinks sLog doesnt look bad?

    I kinda like it.... i like seeing all the detail.
    I am liking the poor brother, Technicolor (Log) profile on 7D. Almost not grading at all properly exposed footage.
    So envy of you F3 owners these days


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    #5
    Senior Member macgregor's Avatar
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    Excellent. How muuuuch?

    www.macgregor.autoecstasy.com

    Macgregoris a trademark of Miguel de Olaso


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    #6
    Senior Member Adam J McKay's Avatar
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    Quote Originally Posted by TimurCivan View Post
    Am i the only one that thinks sLog doesnt look bad?

    I kinda like it.... i like seeing all the detail.
    I almost prefer the look of the ungraded log over the graded one. I am doing a project now and we have decided to go with the Technicolor look almost untouched for the most part. Same scenes need a little contrast and saturation, but overall I really enjoy the low contrast look.


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    #7
    Senior Member j's Avatar
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    I miss shooting Kodak 5277...


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    #8
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    Is Truelight available yet and how much does it cost. How would you use it in an FCP workflow?


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    #9
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    the plugin at the moment only works with composite software. like AE, NUKE, SHAKE, etc. it's meant to work with software that has built in tools like dpx rendering and etc. maybe they'll include it in FCPX if it can natively interpret and write dpx files... nothing from Filmlight I've ever seen has ever been cheap. I would say expect this plugin to be worth thousands of dollars. there's no price tag on it, you have to call in for it, and I think they've actually been using this for a long time but are just advertising this much harder because s-log for intensive purposes is finally hitting the masses.


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    #10
    Director of Photography TimurCivan's Avatar
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    I miss 5218. Vision 2. Was so nice.....
    Director of Photography
    www.timurcivan.com www.tstopcinema.com 917-589-4424
    Visit my blog: T.stops : <- click here
    "He who thinks interms of catching mice, will never catch Lions."


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