LOL, I wrote something like this in the User Films section and tried to get it made into a sticky, I had my whole feature and everything up for discussion, but no dice. Glad yours got up. Mine was more of a tutorial, but said some of the same things. Mine is here for indy filmmakers who want to jump off into the deep end, but would rather learn from someone else mistakes (mine) versus making them. As for festivals I think AOF and Slamdance are good for indies.
Thread: BillyBob wants to race cars...
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08-26-2010 01:57 PM
Last edited by Nathyn; 08-26-2010 at 02:06 PM.
MAKE YOUR MOVIE NOW!
Writer/Director/Producer/Editor/Composer/Prop Master/Action Hero
Canon T3i/Apple Final Cut Studio 2/After Effects CS3/Action Essentials 2/Garageband 4.1.2
The Fourth Beast-2003 | Wages of Sin -2007 | Epitaph: Bread and Salt -2011
08-31-2010 08:41 AM
Here's another (also good) version: http://reduser.net/forum/showthread.php?t=33472An endless stream of dead uncle Daves
11-24-2010 12:53 PM
Hee hee... I sent my first short to Sundance... Oh the stars in my eyes.... lol
11-24-2010 04:39 PM
I am one of those crusty old guys these kids refuse to listen to. They are all in a mad dash to sprint head long off the cliff. They seemed like such nice kids too.Paul
Camera and Grip Electric Rentals in Dallas and Shreveport
Phoenix Video Productions
11-28-2010 06:15 PM
Hee hee. No Hudson I'm greatful for all the advice. You're the man!!!
11-28-2010 09:04 PM
- Join Date
- Jul 2008
- Ocala, Florida
Is it time for my old Beethoven story? I believe it is:
L. V. Beethoven was once approached by a proud father asking if Mr. Beethoven could please teach his son to compose sonatas. "How old is your son?" asked the master. "10" the proud father replied. "Then, he should probably wait a few years". "But you composed sonatas when you were nine!" the proud father protested. "Correct" said Beethoven, "But I didn't have to ask how."
So, I can see the attraction in submitting your first feature, but unless you're Beethoven, don't be too disappointed.
11-09-2011 02:41 AM
I find your analogy a bit exaggerated. Why choose Formula 1? I mean, you say Formula Ford instead of Formula 1, and that's a reasonable question I've heard many times. I don't think most people you are analoging to are expecting to make a Hollywood blockbuster on their first attempts, they're looking to make small independent low or no-budget films. So, say SCCA instead of FIA or FOCA; say Formula Ford or Showroom Stock or Street Prepared instead of Formula 1. Go to an SCCA meeting... it's exactly like what you've said, not at all outlandish.
I mean, most people here are thinking autocross or road rally, not Grand Prix or Indy or Paris-Dakkar...
1987 NY Region SCCA Autocross Champion
(by persistence more than skill, and driving Mom's car!)"I'd like to say that I've never come across two know nothing pretenders on the weird wide web before, but unfortunately it's all too common and is exactly why, according to the last government survey, only 5% of all internet users ever use forums or chats. And it's exactly why I'm done with this one. You two really need to get jobs and out of your mother's basements. You can't fix stupid. And I don't have time for stupid." -swoopie
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03-25-2016 12:29 AM
Loved this post. I think the one that really gets me upset is how focused the younger generation is on HDSLRs and how much Dynamic Range a camera has. They all need to realize something
These are not fads, or key things that will make you an award winning cinematographer overnight, they are just parts of a tool and the tool is as good as its operator. Beginners need to stop focusing on tech specs and focus more on content and building a look that can be a calling card for them to get work. A camera is not going to save you and frankly, i find younger filmmakers who boast about what camera they own to be very conceded.. I had an 18 year old look at something i did with my varicam (varicam f mind you) and they asked what camera i used, i told them varicam, and he looks at me and said "you should have used something more relevant"... im sorry, i didnt realize you knew how i worked or that unless you are using whatever bulls*%t HDSLR (have you noticed i just dont care for HDSLRs) or RED or Alexa then its not relevant.. I implore filmmakers to work with as many cameras as possible and figure out the pros and cons of each. I see digital cameras as their own film stocks and working your way up in gear as opposed to taking out a loan and buying a EPIC Dragon or Varicam 35 as the first thing.. its just poo pooing ridiculous. My film school I attended, students were bitching because they were using an HVX200. Its just unreal.Panasonic AJ-HDC27HP Varicam
Panasonic AJ-SDX900P DVCPRO50 Camera
P&S Technik PRO35 Adapter
28mm, 80mm PL Lenses
Marshall VLCD 50 HDMI Monitor
Apple Mac Pro 8 Core 2008
07-12-2016 09:18 PM
I don't think this thread has aged well. I liked it ~5 years ago... but today? Today things look a whole lot different.
Entry-level cameras look as good as pro cameras.
$99 microphone ain't that bad.
Steadicam operators? Who cares.
Entry-level NLE not as good as FCP? No, they're just as good.
Footage going to look like crap without real movie lights? No, your footage will be fine.
Generally, I'm not sure what the point is of all this needless elitism. Beginners should get in over their heads, make mistakes, and learn from their mistakes over time.
Recording audio and video of actors behaving is not very hard. Technical stuff should take about a year of study to reach intermediate skill level across all relevant domains."You'd better cure all those personal problems that might be holding back something you want to say." -John Cassavetes
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