Car scenes

[TC]

I'm shooting a short in early January, here's the deal. There are several scenes (6ish) that take place in cars. Just people talking, nothing fancy. So here's my dilema, the way I see it, it can be shot one of two ways, since I've never shot car scenes before I thought I'd ask you guys about what experience would suggest is the best way.

1: Get a car mount and put the camera on the hood. Drive around and get the scenes that way. I suppose I would Gaff tape the XLR cable to the side of the car and feed it in a back window to mic it, as I don't have (or necesarily want) any wireless gear.

2: Set up a garage as a set, and use green screens, and fill in the background later. The nice thing about that is that it's a controled enviroment. The probelm is that it can look a bit fake, because you don't get the authenticity of the driver actually piloting the car.

Thoughts?

[BLUESPIDER]

1: Get a car mount and put the camera on the hood. Drive around and get the scenes that way. I suppose I would Gaff tape the XLR cable to the side of the car and feed it in a back window to mic it, as I don't have (or necesarily want) any wireless gear.

That would be the best idea if you want realism. Just make sure that you don't film in a busy street. This would probably the route I would take. I know a area in Alemeda would be good for you to shoot without having to worry about cops and traffic assuming you have no permits.

2: Set up a garage as a set, and use green screens, and fill in the background later. The nice thing about that is that it's a controled enviroment. The probelm is that it can look a bit fake, because you don't get the authenticity of the driver actually piloting the car.

This could work too but if you don't know how to key well then its going to look process. I've maybe only seen 2 or 3 films that was done via blue/green and look amazing. You can give it a test try and if doesn't work then go the practical way. Remember if youre shooting DV, keying can be a beaatch!

[TC]

Hey! Blue, I didn't know you lived in CA. Nice. I can't believe your Platnum already. HAHA.

Yea, I was talking about this with someone yesterday. He suggested that I use the car mount, and run the XLR under the hood, then through the firewall into the car, that might work, though I don't know how hot an XLR can get.

[BLUESPIDER]

I can't believe your Platnum already. HAHA.

Yeah funny. I've only been on for 4 weeks I think. So who do I have to sleep with to become a DVX guru member?

[TC]

Barry Green is the only Guru. Nobody else could ever fill those shoes.

[BLUESPIDER]

What size shoes does he wear?

TC, you have any work I can check out, short films anything?

Peace brotha

[TC]

Turn an 8 sideways, that's the size of Barry's shoes.

I don't have anything online. Once I get some compression software I'll put some stuff up.

[Mike_Donis]

If the scenes take place during the day, I'd definitely go with the car mount, and not go the greenscreen route. To me, it never looks good - it bugged me in Terminator 3, and that's with a Hollywood budget :-/

Slap a few ND gels over the windows and mount that sucker onto the car, do what you will with audio. In a pinch, you could get a separate recording device for the audio in only the car shots if you can't work out a way with the XLR cord...

[dvpixl]

TC, have you seen what is that movie with richard gere about that big moth... anyway, they had a night car scene and also on the dvd showed how they did it - with many people faking car lights as the crew rocks the car back and forth while it's on some sort of platform to simulate movement.. and spraying water for rain effect.. all in a warehouse or garage...

oh yeah... mothman prophecies

[Barry_Green]

Car scenes are tricky to do, because you're putting a lot of people's lives in potential peril. Car drivers should be driving, not acting, not worrying about lines and their performance and the value of the camera and whatnot.

The "right" way to do this is to load the car on a low-to-the-ground flatbed trailer, which you can then drag all around town wherever you need, and someone in the pickup truck (or whatever's pulling the trailer) can worry about the driving. The actors can concentrate on acting, and the crew can move the camera wherever they need, etc.