No, I said the opposite – only good for a one-man band. That may be exaggerating a bit, but the lack of monitoring capability would be a huge problem for a lot of people. You need to really be able to trust your shooter. Fortunately I was able to do that, but it still gave me a little bit of stress.
Thread: What were the top DSLR Cameras?
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03-16-2010 03:13 PM
Commercial and Creative Director at Psychic Bunny, a hybrid media studio in sunny Los Angeles, California.
Producer, Cement Suitcase ( feature film )
Writer/Director/Producer, Dead Drop ( BetrayalFest finalist ) – "A very cool, slick and well done short."
Producer, The Echo Game ( feature film ) - "There is never a dull moment..."
Ex. Producer, Coma, Period. ( web series ) - "...few things in web video are done as well as they are in Coma, Period."
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03-16-2010 03:16 PM
Ah got it, makes sense
Funny... I usually ask to see framing, but rarely look at the camera while we're actually shooting.
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