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    #21
    Panamaniac
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    I see the noise you refer to, only in the first two shots, but I can't see much on the Vimeo beyond those two. You did however have +9dB on those..! Which is excellent! The rest spectacular.

    I remember when you got one of the first 200A's. You immediately said that you found +6dB to be just about acceptable, and somewhere between 6 and 9 you would get the same amount of noise as the 200 exhibits. I think you might just be getting greedy. Not a bad thing but it seems your initial impression was right on the money.

    If there is more noise hidden below the Vimeo compression then maybe it was just the light... what did you have on in that room?



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    #22
    Filmmaker's Mod
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    A 150w HMI and a bootleg 4bang Diva with'a Half CTO on it.

    I am reviewing my footage from the 200A... and going back and forth between the 170 in BROAD DAYLIGHT...

    I just see a difference myself. But the 170 rocks.
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    Allow me: fanboy of great images.



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    #23
    Panamaniac
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    Thanks. Do you remember your apperture for the camera and lens? Or were they both wide open?



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    #24
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    Quote Originally Posted by USLatin View Post
    Thanks. Do you remember your apperture for the camera and lens? Or were they both wide open?
    Everything wide open.
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    #25
    Panamaniac
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    Thanks! That's is still quite the sensitive rig!
    I suppose something like a an additional 1K in there and there would be no need for 9dB and possibly only 3dB? Or am I way off?



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    #26
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    Quote Originally Posted by USLatin View Post
    Thanks! That's is still quite the sensitive rig!
    I suppose something like a an additional 1K in there and there would be no need for 9dB and possibly only 3dB? Or am I way off?
    Or a faster taking lens. Also, I think 6db would have been fine, but I had it set up for 9 for whatever reason.
    Comet Color Page
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    #27
    Panamaniac
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    Ok, thanks for the details Kholi!



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