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Type: Posts; User: Seanik

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  1. Wow, these are fantastic! I just did a test with...

    Wow, these are fantastic! I just did a test with these in Resolve (EE versions), replicating the process of matching shots from an ACES project that I did with an FS7 and EVA1, and the it looked and...
  2. Ah, ok... that makes sense. Counter-intuitive...

    Ah, ok... that makes sense. Counter-intuitive (in my head), but then again I was thinking in terms of correction and balance rather than dealing with the absence of something. At any rate, the...
  3. Interesting. I would have thought that the Cosmo...

    Interesting. I would have thought that the Cosmo would be filtering out the problematic blues that enhance the redness. I'm thinking like when you paint a camera, in the B-R matrix, adding blue...
  4. I don't think anyone doubted your intentions,...

    I don't think anyone doubted your intentions, even if some of the criticism came off as a little harsh. Ultimately, it's just another way folks here are trying to help each other out.
  5. One seemingly very innocent Google Image Search...

    One seemingly very innocent Google Image Search motivated by "hmm, I wonder what folks have been saying about that video I was in awhile back," and poof... "hmm, what is this DVX site all about?" ...
  6. Also, Lee 188 gels (Cosmo Highlight) and 216...

    Also, Lee 188 gels (Cosmo Highlight) and 216 diffusion helps with this... if you don't like the exaggerated warmth, just WB with the Cosmo on the lights. It still does an amazing job of evening out...
  7. I have to agree with Cary on this. We do have to...

    I have to agree with Cary on this. We do have to respect our use of someone's likeness, and take care to not present them in an embarrassing light. That's journalism 101. I doubt he agreed to be on...
  8. Proxy editing in Premiere is about as simple,...

    Proxy editing in Premiere is about as simple, easy, and painless as it gets. Even on big projects, rendering to half or quarter resolution/scale ProRes is pretty quick. I can't help but wonder if...
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    EVA1: Yes Clermond, I am in wholehearted agreement with...

    Yes Clermond, I am in wholehearted agreement with you on using the ACES workflow for matching (any mix of cameras, actually). That's my method of choice. It's ridiculously easy, and it's...
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    EVA1: Thanks Raphael, that makes more sense. No...

    Thanks Raphael, that makes more sense. No worries.

    It seems to me that there is probably some round-about way of making a LUT from a Scene File, but not the other way around, given what a Scene...
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    EVA1: That's a great idea... I've used LUTCalc before,...

    That's a great idea... I've used LUTCalc before, and I've made LUTs in Resolve, both with very good results.

    However, I was under the impression that you can't import LUTs into the EVA1. I...
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    EVA1: Scene file to match FS7?

    Does it exist? (is it a unicorn?)

    I'm sure there are a few of you out there, as well, who must be banging your heads against the wall from time to time about clients/producers who are leery about...
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    Exactly right... that is why I was simply looking...

    Exactly right... that is why I was simply looking for the technical/transform LUT that came straight from Technicolor, and created by the same engineers who developed the Cinestyle curve in the first...
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    Fair enough... although given that the footage...

    Fair enough... although given that the footage I'm working with is (A Cam) C-Log on 4:2:0 8-bit AVCHD and (B Cam) Cinestyle on 4:2:0 8-bit h.264, I'm just happy to get both back to spec with as few...
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    A-ha!!! I didn't even think to look for it there...

    A-ha!!! I didn't even think to look for it there (because it's not my camera with the Cinestyle profile loaded into it), and behold! Thank you for remembering this!

    *note that it lives in an...
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    Yep. That's the alternative I was hoping to...

    Yep. That's the alternative I was hoping to avoid since I don't have a shot of a chip chart from both cams.
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    Thanks, that's kind of what I thought, for the...

    Thanks, that's kind of what I thought, for the most part.

    The idea is to bring both the Cinestyle footage and footage from the other cam (shot in c-log) into rec709 for matching. Then grade for...
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    Cinestyle to Rec709 transform LUT?

    Hello!

    I just inherited an editing project where one of the cameras shot using Cinestyle (on a Canon 6D). I've been looking for just a basic, boring old Cinestyle to Rec709 transform LUT, but...
  19. Thanks for this. I've recently been researching...

    Thanks for this. I've recently been researching these types of lights (small led fresnel/focus floods) as well.

    If you don't mind me asking, what influenced your decision to go with this light...
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    Perhaps I should start Rokinon some new material.

    Perhaps I should start Rokinon some new material.
  21. Nice! I had to look up what the new tools do (I...

    Nice! I had to look up what the new tools do (I knew about Roto Brush, but not about the Refine Edge tool or the 20 frame "span" that predicts the matte edge). This is a game changer. Thanks for...
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    Carbon fiber, eh? I can't say I've ever XEEN...

    Carbon fiber, eh?

    I can't say I've ever XEEN anything like that before.
  23. Well, then the problem will be what to do with...

    Well, then the problem will be what to do with the 4K footage on the 6K timeline!
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    Oh ok, apologies if that read as patronizing in...

    Oh ok, apologies if that read as patronizing in even the slightest bit... I just know of far too many photogs, and even editors (who I respect and admire), who either know nothing about or fear the...
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    *** Oh, and by the way, you can also use ACES to...

    *** Oh, and by the way, you can also use ACES to help you with your current HLG to Rec709 issue (sorry I didn't think of this earlier). Same as above with this minor change in Input Device...
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