With a data rate like that - it seems to me you have to spend so much money on a system that can REALLY post-process that....then you've already spent so much money you can probably...
Type: Posts; User: DPStewart
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I've never really heard of any instance where ETC was NOT problematic like this. However, the noise of ETC was used BRILLIANTLY by a fella here who figured out how to use it to simulate Kodak Tri-X...
05-05-2013, 10:54 PM
HA! When it comes to cameras I can't afford to be in the same room with I get them all confused. I still can't tell the difference between a Ferrari and a Lambo either...
05-04-2013, 11:18 PM
Yeah...I really wish they'd put the basic info in the description.
RED's are really something else.
05-04-2013, 11:17 PM
No...someone shoots Superman WITH a DVX. Like, they shoot it out of a cannon. Or maybe out of a Canon.
05-04-2013, 04:52 PM
This piece is really BAD-ASS!
05-04-2013, 04:51 PM
On the right you see "GH2 Collections" and GH3 Collections"...it's under "GH3 Collections".
Right on Bruce - I was always a big fan of "Somewhere In Time" and that portrait was KEY. It had to look right, and whoever did it was quite skilled - it set the tone for much of the whole film.
I got the 62mm filter and a step up ring so I could use the one filter on both of my Panny lenses as those are the most likely to need it.
(20mm and the 14-140 kit zoom)
Get to use...
Right on it. (As usual Shane) I agree across the board.
That scale made me think Big City at Night... make sense?
I've recently been studying music tempo in relation to subject and edit tempo....
Yup - the Black Diffusion 3.
My results have been the same - the 20mm is a REALLY sharp lens on the GH2 and adding the BD3 has given me some seriously nice results. I quickly found the same thing...
Those are the exact same three lenses I bought and in the same order! I am extremely impressed by the range of looks I can get with these 3 lenses...and at such a reasonable cost -...
I am an audio guy and I'd want to see the following: How does it sound when I set the gain knobs so it hits the RECORDER (The GH2) at a decent level.
Since the Azden you have has a fixed output that...
Definitely drop your input level on the AZDEN. At the input knobs.
That is almost always a good practice. Generally you want to use as little microphone amplifying as possible. Mic pre-amps lose...
Don't I wish!
I don't know if it can but DANG that would be nice.
I didn't know about the Timelapse... between that, the 60P, the headphone jack, and the battery life - I'd call that a huge step up even if the Image Quality was unchanged from the GH2.
04-18-2013, 10:08 AM
That was really sweet Bill.
The trailer looks MIGHTY INTERESTING.
That little dog is INSANE!
04-08-2013, 09:21 PM
U 1 krazee basterd!
Tiz good to see ur krazee back 'round here!
Prior to CS5.5 there were some flaws in how Premiere was handling the Panasonic AVCHD files, but this has been resolved as of CS5.5 so there is no longer any need to transcode if you are working...
LOMO lenses are often sort of in a class all their own.
It may be best to ask a "LOMO Specific" thread to get better info back from LOMO users.
I have a LOMO camera and it is so different from...
01-15-2013, 01:49 PM
Ha! No dice...
In that exact spot in both browsers is a square ad to purchase a VIMEO PRO account.
While I do have a free account, I suspect the HTML5 option is limited to "PRO" accounts.
It could have been worse...
You could have experienced.......THE PEPSI SYDROME!
01-14-2013, 08:46 PM
Where the heck is this "switch to HTML5" solution you speak of?
I am signed in to Vimeo and have this video open in both FireFox and IE on Windows 7 32-bit.
There's nothing to the...
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