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Odd year.. some stories.. survived .. but thatnks for the link :)

TL camera is 3d print.. but dont want to bother my chum to do more gratis....

Who?

It’s is important to understand which actions are destructive.

For example
Node1 sat =100
Node 2 sat =-100

Does this have any affect on the image? Or do they cancel out? What about the other...

If you have lut first and it pushes the shot to clip you can’t recover that later in the node tree - hence lut is used typically near the end of the tree

As the camera rises the centre of mass rises causing instability.
This can be battled by laying a couple of sand bags on the carriage or if you are more tricky mounting them on the carriage...

At this level Sony are not serious. Doesnt meant they wont fluke some amazing things.. but they are not serious.

Yep the cage wont come off.. unless in the FX3 case you are putting it on some drone/gimbal from sony that is a direct fit to the camera holes.

To me that would almost slow stuff down to the...

I think it is a question of evaluating the thread.

Some threads are best remaining about specific technical things.

Some times it is good to talk, operating practice setiquette and business...

I dont know the specifics of A7s3 cages.

My nikon Z small rig cage has an M2.5 bolt that attaches to the camera strap loop. Its a cludge but works.

Also nkons tend to have various indents in...

I mount cameras to my Movi by top and bottom you may see here with my FS7 http://framedogs.com/wp-content/uploads/2018/12/movi_1200_SMM8843.jpg with arca plates both ways. The top arca plate is...

There are two threads going right now that have derailed to
-4K tripod heads ha ha and
-business practice
The latter worth discussing but not the topic

Users should maybe think a little harde...

Well - with my Movi gimbal Ive shot some 'cinema jobs' - not the DP but car rigging, rickshaw and jib. This is the stuff I love beyond the more corporate that keeps me alive. Yep low budget cinema.....

Varicam and alexa are costly.. but for any camera to miss out 'stock' rates is appalling. For a 'cine' camer to miss out on the standard 'cinema' projection rate is actually funny.

Like i said I...

There we go.. 11.5 fps if I want. NOt 1FPS increments. 1/1000 of a second increments. WHat one does is 'add to list' which starts populated with the regualar rates.

Playback rate is (logically) in...

Of course I know 23 and 27 are not standard and are over/undercrank. But Im 'a DP' and just want the camera do do as I tell it (or more importantly do what my director asks for)

It seems...

I always shoot 25p.. until I’m hired to do some movi jib work (establishing exts the actual action was in a studio in a different country) on a lb feature.. my favourite kind of assignment. 24p of...

You can channel clip a white card (bad)

Brawley and Papert bring value to the board as they are 'working DP' - loss of either would be bad news :(

The A7siii is an interesting camera. It depends if it all shakes out on the sony side in the post FS7 era.. its not looking that way. I did a thread on moving to one AF system canon or sony. Canon is...

This implies you have a spare $1k and are going to be rigging on a power system - a sad reality that was required for my FS7

Surely post an ungraded frame.

I bet you are under exposing.

Nice - I think thought I read they were excluded

Well I was more refering to not noting if the engagement of SQ is a now 6click operation or remains a 1 click operation.

I shoot my FS7 in Log and there is a toggle switch meaning I dont go into the menu for WB. I certainly dont dial it accurately as you would need when trying to shoot WSIWYG

But this cine camera...

Odd I never thought about ajusting colour cos I would always shoot S-log. They forgot to put it in here right?