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Type: Posts; User: GaryNattrass

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  1. Replies
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    650

    Been using far lower cost Sony ECM-MS907 and 957...

    Been using far lower cost Sony ECM-MS907 and 957 mics for over 20 years now with far flatter frequency response as those phase cancellation tubes can do weird things in stereo.

    I tend to use them...
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    Seem to be plenty in the UK:...

    Seem to be plenty in the UK: https://www.amazon.co.uk/Panasonic-XLR1E-Microphone-Adapter-2-Channel/dp/B01MS78UCC
  3. Replies
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    Yup here at SKY in the UK we put them anyway we...

    Yup here at SKY in the UK we put them anyway we want and hear little difference, we do the same with our stock cabled Sony ECM77b too.

    We have around 150 sennheiser radio mic's here with a mix of...
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    759

    On the older micron radio mics it wasn't actually...

    On the older micron radio mics it wasn't actually a gain control on the transmitter but the threshold for the limiter.

    The three different receiver outputs will be for line, domestic unbalanced...
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    You get RX7 Barry1908.

    You get RX7 Barry1908.
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    Hi Roland I just bought this and it is and the...

    Hi Roland I just bought this and it is and the upgrade is to RX7 elements.

    Thanks for the heads up and all working great in Logic X.
  7. Sadly as I am in the Uk I can't view the whole...

    Sadly as I am in the Uk I can't view the whole video but I can see the still shot.

    As this seems a mainstream drama what you see is not what it seems and I suspect it is all shot with full HD...
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    Price drop on the F4 and F8 here in the UK too...

    Price drop on the F4 and F8 here in the UK too but as usual we pay more than the USA in our limited marketplace:
    ...
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    I think the 25 and plus are the same drivers so...

    I think the 25 and plus are the same drivers so must pretty much sound the same. The main difference is the headband as the SP has a simpler design.

    You need to be careful when inserting the cord...
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    1,563

    You just need a soundcard with at least 6 outputs...

    You just need a soundcard with at least 6 outputs as the surround aspect is usually done in software.

    I have a 15 year old digidesign 002 but as it has up yo 16 outputs I can still use it to do...
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    Think of the music you play on set as a guide...

    Think of the music you play on set as a guide just for the artists to mime to, most music videos and films are done this way and it usually involves doing several passes to get a variety of shots for...
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    I haven't done a direct comparison but for video...

    I haven't done a direct comparison but for video editing and recording have found the tascam fine. I have an M-Box too and I would guess all these devices use pretty much the same chipset and mic...
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    I have a PCI-E card in my mac pro but it is a...

    I have a PCI-E card in my mac pro but it is a blackmagic intensity pro HD video card as it was more useful but still gave me SDI and AES or balanced analogue audio I/O.

    I agree with Paul that a...
  14. I haven't done it with the D100 but have used lav...

    I haven't done it with the D100 but have used lav mics wired directly to other kit with 1.5v plug in power.

    I also have a few cheap ultradisc lav mics wired direct to an XLR to use T power on...
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    I agree that Optimods etc such the life out of...

    I agree that Optimods etc such the life out of anything and most radio has a One db dynamic range these days.

    When I think about it even on my sources at SKY I have numerous compressors in the...
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    ??? virtually every record ever made and every...

    ??? virtually every record ever made and every film and TV production uses compression so to totally dismiss them is missing the reality of their usefullness.

    Try listening to anything with a...
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    Our SKY UK reporters started with shotguns but...

    Our SKY UK reporters started with shotguns but then switched to an RE50 when the wind got stronger.
  18. YES but use them correctly to help you rather...

    YES but use them correctly to help you rather than being lazy and not setting the levels right for a scene.

    As previously stated on a post you totally ignored -12dbfs is fine but then don't...
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    I still follow broadcast UK standards for...

    I still follow broadcast UK standards for recording and peak at -10 dbfs, (-12dbfs in the USA) I also have my limiters set to that too and it prevents any overload.

    If you are overloading the mic...
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    Turn it down!

    Turn it down!
  21. The MTF adaptor gives me X7 magnification or an...

    The MTF adaptor gives me X7 magnification or an extender will do the same for a stills camera.
  22. I used a nikon 60mm macro lens with an MTF...

    I used a nikon 60mm macro lens with an MTF adaptor on my panasonic HPX301 P2 camera when I did close up work.
  23. Replies
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    I agree with Paul and have never in 38 years of...

    I agree with Paul and have never in 38 years of broadcast and audio for my own had to do split level recording.

    Do people run two cameras with different exposure or just get it right in the first...
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    Don't know this particular camera but here is a...

    Don't know this particular camera but here is a go at answering the questions.

    1: I would presume this means that you can either set the audio level on the menu disabling the side rotary control...
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    Last time I used an RE16 was around 1985 and it...

    Last time I used an RE16 was around 1985 and it was a great vocal mic but far too tight for most who were used to the SM58 etc.

    I wouldn't recommend it for in vision work as it is far too tight...
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