come on guys where else are students and newbys going to learn about filmaking but on set.
film school and research can build a framework but getting on set is where real word knowledge is built.
Type: Posts; User: ian dart
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i would use a professional camera flash gun. from memory you can control the flash duration.
04-15-2013, 02:33 AM
well i usually hang around unit drink coffee and eat the donuts
when i get bored i amble over to makeup and chat up the girls...
divide the wattage of the lamp by the supplied voltage = amps
800 watt redhead divided by 240 volt line power = 3.3 amps
if the bulb is unavailable you could go with the 55watt and standard ballast.
just use blackwrap to cut it and 216, 250 white diff or .3 or .6 ND gels to bring the level down.
well theres the problem....
theoretically there should be no difference if both models are at max output and the tubes are the same make.
perhaps richard can let us know. i have found him most...
i have not seen color shift in undimmed fixtures.
i have the non dimming coollight fixtures and am more than happy with the keno tubes in them.
if i need to knock back the level i turn off tubes,...
i have had the coolights and keno on in the same setup and and cannot see any difference in brightness.
there is probably an expectation that at four times the price that the keno would be...
i have been using kino tubes in richards cl455p lights for the last several years without any problem.
the main reasons i use them is: they are easily available, they are a known quality, and when i...
i have no problem with the bates plug, i was referring to the wiring as evidenced in the supplied photo.
there are theatre lights that have been sitting on a grid for 20 years, from the picture i...
those old theatre lights were meant to hang on a lighting grid and were only subject to a gentle pan and tilt
their wiring reflects this hence the bates stage plug.
if you are using it on a...
use a multimeter to find where each wire terminates.
if it has a switch that may give you an idea, the active and neutral will be connected at the switch and the earth should run uninterrupted to...
03-07-2013, 01:37 PM
use a multi meter to check continuity and resistance
start at the plug and work your way back to the head
check the plug to make sure all the wires are teminated
wires commonly break inside the...
02-02-2013, 06:12 PM
the only place i know apart from the odd closing down auction is www.ccslightsound.com.au
they buy and recondition used stage and film gear
check out their second hand section
this is how i travel some of my lights
i would go with paulears suggestion and individually black wrap the car park lights and put in your own lighting.
in australia most of the streetlights have their own light sensors to switch them...
i get mine from foamex. i think they have a outlet in queensland.
they will cut it to any size and thickness.
the last ones i got were 4 x 4 and 40 cm...
12-05-2012, 03:06 AM
an old eng camera mans trick for walk and talks is to stay in step with the talent.
when they step, you step and the talents head and the camera go up and down at the same time.
caaaarn the bombers...................
just get one of richards in line switch's or similar and wire it in to a short extension cable
i put a few together for controlling pracs
i am a customer of cool lights and have purchased a range of Richards lights. and have been more than happy with them and his customer service
he gets back to you in hours if you have problems and...
no........based on 20 years experience and a mark 1 eyeball
to be honest the figures mean nothing
every light is different and every skin is different
use the softest source possible and on daylight sources i add LEE 188 COSMETIC HIGHLIGHT
RIP brother, thank you for the memories.
may the great architect of the universe show you the light.
07-03-2012, 03:29 PM
check out how dale henderson does it www.fluidmotionfilm.com
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