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The more I re-read this comment the more it makes me laugh. Too true !!!!

This whole discussion is nonsense. Peaking is a simple overlay and can be added in software on virtually any camera. It takes next to nothing in processing power to do it. The fact that it is not...

I saw my old Canon Elura miniDV cam the other day in a drawer and cursed it again !!! I hated that vintage for the complete nightmare editing and post was :)

Computers started to catch up by the...

Nice !!!

What camera and lens are you filming with these days? Slow motions seems much nicer than what I'm getting with my Canon T3i. I thought at one time you were filming with a Canon ???
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My suggestion for a bit more cost effective solution would be:

- EF 24mm f/2.8 IS for your wide and stabilizer work. This lens is amazing by the way and has a better image than the 24mm f/1.4 II I...

Jordan_S, I think you missed this one completely. F/2.8 is an incredibly fast zoom for modern APS-C and full frame cams. In S16 days f/2.3 - f/2.7 was super fast for zooms. F/2.0 would be nearly,...

Pixel peeping is a tough mistress. There are a lot of incredible options available, or are about to become available in the next few months. I have to remind myself that in the end of the day, that...

I don't know dude, that is amazingly low noise and dynamic range for iso 1600 vs a GH2.

Here's another piece of the puzzle. I uninstalled one of the Mercalli demo's I had on my machine. If I wait long enough before closing or sending the error report to Sony it pops up the...

Thanks David,

I did try that and still the same error. It's interesting that it still all works fine as long as I don't close the errow window.

Cheers,
Pete

Running Movie Studio 12 64 bit. I uninstalled my older VMS10 and am now getting the stopped working message at the splash screen. If I wait a bit Movie Studio 12 build 896 64 bit it starts and...

I just bought an Asus ZenBook 13.3" and it has been an incredible tool. The 1920x1080 display is amazing for showing samples to clients. It just looks that good, even at that small size. Soft...

It has a deeper depth of field, but that can easily be solved by using a longer lens and or getting closer to the subject. I don't want such shallow depth of field. it's really hard when using...

Of the few hundred people I know, there are only a handful that have blu-ray players. I bought a blu-ray burner and I couldn't give a bd disk to a single person. Burned 5 disks and haven't touched...

For video, which this forum is about, they are the same and the t3i has enough advantages over the sl1 that I'd save the money. You can find barely touched used t3i's in the local classifieds all...

ML had unlocked h.264 video recording with the 50D a year or more ago. Don't know if it survived all the updates or not, but it was available at one time. Not sure if it was reliable either. ...

The T3i is nearly instantaneous focus and actuation when not in live view. The SL1 has better / more accurate autofocus for still though. The T3i has a flip out screen which is great for video, but...

Me too !!!

I do a bunch of my filming on a hand held stabilizer and also way up in the mountains. With the 12-35 it weights just over 1.5 lbs. It gives an equivalent focal length of 19-180 with...

Now you just has a ton of CA. Magenta in the front and cyan in the background.

The second video is private and won't let me in to download. How come the first one is only 720 and an mp4? Any...

Where is this "splitting up" taking place? All the samples I've seen have been zip folders of *.dng files. I just assumed they were going to cf card as individual *.dng files and never understood...

Well that's rather presumptuous isn't it? Is it really all that dogmatic to suggest that a company who's been putting peaking in three chip, 28mbps, 1080-60p cams since 2010 can't do it in a two...

Magic lantern creates a peaking overlay with the lowly digic 4 processor on the T2i and T3i. It even works with wave form, histogram and boosting the bit rate to 60mbps simultaneously. If that...

Just to throw a monkey wrench in the works, I'll suggest a much wider prime. I have found a 50mm to be no man's land on a crop cam like the T3i. It's equivalent to an 80mm and just too telephoto...

Nice clip Michael !!!

Now we just need an image stabilized 8mm f/2.8 lens that is the size of that Canon lens on the Bolex for the Pocket cam. Assuming they actually get the m4/3 mount sorted. ...

I'm not a fan of the 960p output. It looks terribly skiwampus when stretched and way soft when cropped relative to just shooting wide in 2.7k or 1080-60p. It is a wider angle vertically, but just...