Evro
11-12-2006, 03:25 PM
I used my new XL2 on a professional shoot (a wedding) for the first time last weekend together with my trusty DVX. (Both cams were setup for 25P @ 16:9 and tweaked to obtain the best cine-film emulation I could get.)
After my experience on the day and now having reviewed all the footage, I can make the following observations:
1) XL2 has much higher res at every setting - no contest for my DVX!!
2) The XL2 just cannot acheive the filmic cadence, colour & look of the DVX - I'd love to be proven wrong!!
3) XL2 footage slowed down on time-line seems to have an inherrent<sp> motion blur which looks great!! Whereas the DVX has the typical stuttery motion that you get with a real 16mm camera. This may have something to do with the way the XL2 CCDs capture and process progressive images - I don't know?
5) The DVX is fantastic for shooting live bands and folks dancing because you can get in and out with snap zooms, crazy dutch tilts, wild dollies and into peoples faces really quickly without freaking them out or causing injury.
6) The XL2 is rock solid (with 910charger + 3x NB945 batts + mic Rx all strapped to the rear bracket) for shoulder mounted shooting and also great for handheld ultra slow dolly or tracking movements & pedestal shots - you can't do that with your DVX handheld...!!
7) DVX low light performance not as good as XL2 (both were used at +12 gain on low lit dance floor) noise was really evident on the DVX.
8) But best of all... ammongst a mass of wedding guests with palm-corders competing for a shot at the happy couple the The XL2 says get outa my f*cking way!!! I'm the professional here!!
Because the above observations were made with event shooting in mind they may not apply to the ind. movie maker - "horses for courses."
However, for all you guys & gals out there shooting events the answer is simple - buy both cams!! I'm so glad I got the XL2 instead of another DVX or FX1 - I'd say that I now have the best tools an event guy could ask for.
After my experience on the day and now having reviewed all the footage, I can make the following observations:
1) XL2 has much higher res at every setting - no contest for my DVX!!
2) The XL2 just cannot acheive the filmic cadence, colour & look of the DVX - I'd love to be proven wrong!!
3) XL2 footage slowed down on time-line seems to have an inherrent<sp> motion blur which looks great!! Whereas the DVX has the typical stuttery motion that you get with a real 16mm camera. This may have something to do with the way the XL2 CCDs capture and process progressive images - I don't know?
5) The DVX is fantastic for shooting live bands and folks dancing because you can get in and out with snap zooms, crazy dutch tilts, wild dollies and into peoples faces really quickly without freaking them out or causing injury.
6) The XL2 is rock solid (with 910charger + 3x NB945 batts + mic Rx all strapped to the rear bracket) for shoulder mounted shooting and also great for handheld ultra slow dolly or tracking movements & pedestal shots - you can't do that with your DVX handheld...!!
7) DVX low light performance not as good as XL2 (both were used at +12 gain on low lit dance floor) noise was really evident on the DVX.
8) But best of all... ammongst a mass of wedding guests with palm-corders competing for a shot at the happy couple the The XL2 says get outa my f*cking way!!! I'm the professional here!!
Because the above observations were made with event shooting in mind they may not apply to the ind. movie maker - "horses for courses."
However, for all you guys & gals out there shooting events the answer is simple - buy both cams!! I'm so glad I got the XL2 instead of another DVX or FX1 - I'd say that I now have the best tools an event guy could ask for.