sbryan
07-30-2006, 09:06 PM
Hello,
I'm not sure how to remedy this situation...
The DVX100a performs admirably indoors under various lighting conditions. The color reproduction is beyond what I would expect from a standard resolution camera. So let's take the camera outside for a change of pace...
A nightmare for me. It's 98 degrees out, bright, and sunny. Even though I'm not shooting in the direction of the sun, I'm having nothing but problems. I white balance the camera, I run through various combinations of iris, ND filter, and shutter speed, and whatever I do, the image I get is tinted blue.
The colors are washed out (minus the green landscape, which surpise, suprise, is fine). A gravel road is very close to solid, blown-out white. The skyline in the middle of summer looks the skyline before a winter snow storm. Skin tones? Tan, sunburned, or pale, they all look they same washed out white. Something tells me this problem is outside the healing effects of color correction, but we'll see.
I'd like to know how to take the camera outdoors with my wide angle lens, and not be afraid of the results. As stated, I've been fighting the good fight using every combination of settings and I couldn't get results that satisfied me.
I'm at my wit's end. Is a matte box required for this scenario? All I know is that outdoor shooting poses a serious challenge, and nothing irks me more in modern movies than the film that takes place entirely indoors.
Sunlight and fresh air will do the body good, but for the DVX... it's kryptonite.
I'm not sure how to remedy this situation...
The DVX100a performs admirably indoors under various lighting conditions. The color reproduction is beyond what I would expect from a standard resolution camera. So let's take the camera outside for a change of pace...
A nightmare for me. It's 98 degrees out, bright, and sunny. Even though I'm not shooting in the direction of the sun, I'm having nothing but problems. I white balance the camera, I run through various combinations of iris, ND filter, and shutter speed, and whatever I do, the image I get is tinted blue.
The colors are washed out (minus the green landscape, which surpise, suprise, is fine). A gravel road is very close to solid, blown-out white. The skyline in the middle of summer looks the skyline before a winter snow storm. Skin tones? Tan, sunburned, or pale, they all look they same washed out white. Something tells me this problem is outside the healing effects of color correction, but we'll see.
I'd like to know how to take the camera outdoors with my wide angle lens, and not be afraid of the results. As stated, I've been fighting the good fight using every combination of settings and I couldn't get results that satisfied me.
I'm at my wit's end. Is a matte box required for this scenario? All I know is that outdoor shooting poses a serious challenge, and nothing irks me more in modern movies than the film that takes place entirely indoors.
Sunlight and fresh air will do the body good, but for the DVX... it's kryptonite.