kgg
05-21-2006, 11:45 PM
I am looking to shoot as much of a project indoors to cut costs-scheduling issues.
I understand the value of greenscreen---but I am intrigued with the idea of using my modelling and painting skills to create old fashioned 2d set pieces that will encompass the performers from head to toe--and then in post digitally paint the rest of the set--or composite in elements as opposed to doing it entirely with a chroma key-greenscreen.
Beyond the issue of having to construct the sets--what's the downside compared to greenscreen? Shouldnt the lighting issues be simplified?
I.e I have one shot of someone standing in a street at night. I figure I could have a black fabric for the night sky(just enough to cover the actor's actitivty in the frame, and construct just enough of background model buildings that are directly behind the performer--and the pavement surface...and then add the rest later through photoshop layers etc. Painting the fabric into the sky--adding the rest of the pavement etc.
I like the idea of having a few ready made backdrops on hand that can be shuffled around quickly--in most cases I dont need the flexibility of being able to change the background.
But am I missing something in terms of the difficulty in digitally painting to avoid seams? :badputer:
I understand the value of greenscreen---but I am intrigued with the idea of using my modelling and painting skills to create old fashioned 2d set pieces that will encompass the performers from head to toe--and then in post digitally paint the rest of the set--or composite in elements as opposed to doing it entirely with a chroma key-greenscreen.
Beyond the issue of having to construct the sets--what's the downside compared to greenscreen? Shouldnt the lighting issues be simplified?
I.e I have one shot of someone standing in a street at night. I figure I could have a black fabric for the night sky(just enough to cover the actor's actitivty in the frame, and construct just enough of background model buildings that are directly behind the performer--and the pavement surface...and then add the rest later through photoshop layers etc. Painting the fabric into the sky--adding the rest of the pavement etc.
I like the idea of having a few ready made backdrops on hand that can be shuffled around quickly--in most cases I dont need the flexibility of being able to change the background.
But am I missing something in terms of the difficulty in digitally painting to avoid seams? :badputer: