View Full Version : HVX/M2 test footage
Poi Boy
04-05-2006, 02:41 PM
Finally getting around to posting a test. 720P, 48 and 60fps cineV / 50 meg file H264 compression.
Aloha
-A
http://web.mac.com/poiboy/buddies.mov
petelms
04-05-2006, 03:03 PM
Finally getting around to posting a test. 720P, 48 and 60fps cineV / 50 meg file H264 compression.
Aloha
-A
http://web.mac.com/poiboy/buddies.mov
Awesome stuff. :Drogar-BigGrin(DBG)
Elton
04-05-2006, 03:11 PM
Hot damn!! Very nice!! It still looks quite sharp and vivid in 720, but oh that sweet shallow DOF. Very filmic looking, thanks for sharing that.
...and thank you very much for posting it in HD. Very helpful. My only incredibly minor criticism has to do with the slow mo. That looks like 1/60 shutter. Still has a tiny bit of video slow mo feel to it. Try shooting 1/100 or faster to get a little more clarity and less motion blur for the effect. Just my own preference, but it still looks amazing.
The M2 looks like the 35mm adapter to beat at the moment.
Antoine_Fabi
04-05-2006, 03:49 PM
LOOKS GREAT !
usually, i hate 35mm adaptor's softness.
This one is absolutely SHARP !
Who is the manufacturer ?
What is the cost ?
thanks !
DavidBeier
04-05-2006, 05:05 PM
How much does this adapter cost?
Poi Boy
04-05-2006, 05:16 PM
Hi David,
I paid around $500. but then added the rails..so around $900. It is really an awesome tool, worth every penny. I was reading from another post that saw my footage on the red rock site; they are not convinced because they don't see the difference in the DOF. Next time I'll post something with no DOF to make the point but if you don't see it in this footage then you don't get it.
hmm, i am going to play devils advocate here, I'm still not really seeing anything too stunning from the m2 HVX combo - to ME, the difference in DOF from the stock lens compared to the adapter just wouldn't be worth the extra cost, ($1000 for adapter)($300 for lenses)($1500 for a good monitor) - I don't know if it is the compression or what, I'm just not feeling this adapter right now - I'd like to see more shots that really emphasize the DOF, the stuff that ckarcher put up did this, I'd like to see more before I am sold
where the hell are the cinemek dudes???For instance , the ending shot of the girl is tack sharp but everything behind her is out of focus...the stock lens would look totally different.
Aloha
-A
doccutter
04-05-2006, 05:18 PM
That is some really nice looking footage. How much color correction did you do? The blues just pop out in the pool. I was thinking there also might be some cool social commentary in the piece as well. Nicely done.
Poi Boy
04-05-2006, 05:22 PM
No cc, just a little music.
-A
The Sarlacc
04-05-2006, 09:31 PM
So, the M2 is a 35mm lens adapter? Looks VERY good. I'm impressed.
What were settings to export the clip to quicktime? I;ve been playing around with and just havent totally happy with the results I get.
darwinandpaine
04-06-2006, 12:19 AM
My only incredibly minor criticism has to do with the slow mo. That looks like 1/60 shutter. Still has a tiny bit of video slow mo feel to it. Try shooting 1/100 or faster to get a little more clarity and less motion blur for the effect.
Elton's right. I noticed this the first day I played around with the slow mo --- just switching to 1/120 makes a huge difference in sharpness and clarity. I didn't notice that much of a difference at higher speeds, but going from 1/60 to 1/120 was significant.
This stuff looks great, btw! Love the music! What lens (lenses?) did you use?
Poi Boy
04-06-2006, 12:27 AM
Good tip guys, I'll try that next time.
Aloha
-A
( this particular test only used 55mm and 105mm both nikon )
coolguy007
04-06-2006, 12:20 PM
How did you deal with the flipped footage? Did you buy a monitor or what....I'm waiting for my m2 to come in...and im not sure what to do about the flip
ropbo
04-06-2006, 12:28 PM
Hi David,
I was reading from another post that saw my footage on the red rock site; they are not convinced because they don't see the difference in the DOF. Next time I'll post something with no DOF to make the point but if you don't see it in this footage then you don't get it.
-A
Shallow DOF is not the only thing responsible for giving the filmic look. Watch Polanski movies (in special "Knife in the Water") and you'll understand what I mean.
R Gale
04-06-2006, 01:43 PM
Shallow DOF is not the only thing responsible for giving the filmic look. Watch Polanski movies (in special "Knife in the Water") and you'll understand what I mean.
There are a multitude of threads on this board that go into great detail on the many aspects of getting a film-look. Shallow DOF is not the only thing, but it is a big part of the equation. I'd say it's essential. A good, sharp 35mm adapter is an important tool if you want your movies to look like a professional feature film.
Not sure what you mean about Polanski movies, The Pianist, Chinatown, Rosemary's Baby, Repulsion, all have plenty of shallow DOF, as do most films shot on 35mm.
ropbo
04-06-2006, 01:56 PM
Not sure what you mean about Polanski movies, The Pianist, Chinatown, Rosemary's Baby, Repulsion, all have plenty of shallow DOF, as do most films shot on 35mm.
Quote from American Cinematographer:
"Polanski’s pictures are distinguished by the use of very few wide focal lengths. Edelman recalls that The Pianist was principally shot with two lenses, 27mm and 32mm, and he notes that Oliver Twist was shot with a 21mm and a 27mm. Lens choices “happen on the set,” says the cinematographer. “Roman has been shooting his movies with one or two lenses all his life. He likes wide lenses because he likes to see the characters integrated with the space.” The director adds, “A wide-angle lens gives you more depth of field, which is important when things that happen in the background have to be sharp, so that counts also. Of course, there is also more sensation of movement with a wide angle because you see more of the perspective change — the things on the sides of the frame move more than the things in front.”"
I have "Knife in the Water" which I've seen a thousand times and the one thing that film doesn't have is shallow DOF. And it still looks like film ... lol
There are a multitude of threads on this board that go into great detail
Yeah I know I've been following this forum with great interest.
Antoine_Fabi
04-06-2006, 05:42 PM
Do you have a picture of the M2 installed on the HVX ?
thanks
Poi Boy
04-07-2006, 02:54 AM
Ropbo,
off course shallow depth of field isn't the only thing, that was my point; I intentionally did not post something that only featured shallow depth of field, I posted something that is very film like. Some filmakers like a lot of depth and others don't but the ones that use a lot of DOF still don't have a video look MOSTLY because they still have far less DOF than the same scene would have if shot on video.
Aloha
-A
Poi Boy
04-07-2006, 03:13 AM
007,
I used an exteral monitor on camera to flip the image while shooting.
Antoine,
I don't have a picture of my setup but there are many pictures on the redrock site.
Aloha
-A
R Gale
04-07-2006, 04:05 AM
Quote from American Cinematographer: "Polanski’s pictures are distinguished by the use of very few wide focal lengths.
Very few wide focal lengths? I think the author meant to say mostly wide focal lengths. 27 and 32mm are wide lenses.
Edelman recalls that The Pianist was principally shot with two lenses, 27mm and 32mm...
"principally" shot, but not exclusively, right?
I think Edelman's "two lenses" comment is not to be taken 100% literally. In The Pianist... as I recall, the scene with the family's POV from across the street as the old man is thrown off the balcony... That's gotta be a longer lens than a 32mm. And I seem to remember a number of tight closeups of Adrien Brody and his fingers on the piano keys, that did not seem like a 27 or 32mm lens. As for his other work, I especially recall blurry backgrounds in Chinatown (and Tess) which were both shot 2.35:1 anamorphic... anamorphic lenses are known for their very shallow depth of field... shallower than spherical lenses.
Absolutely, some films have lots of deep focus shots (Citizen Kane included!), but that does not change the fact that film has much shallower DOF than 1/3" video CCD's.
I have "Knife in the Water" which I've seen a thousand times and the one thing that film doesn't have is shallow DOF. And it still looks like film ... lol
"Knife in the Water" still looks like film because it is film. :)
...so ropbo, are you gonna get a 35mm adapter or what? :Drogar-BigGrin(DBG)
Poi Boy, great work! Very filmlike shots.
ropbo
04-07-2006, 08:57 AM
"Knife in the Water" still looks like film because it is film. :)
Yeah I know, I was just trying to bring some humor to my post ... lol. I love this film by the way ... very original camera angles.
...so ropbo, are you gonna get a 35mm adapter or what? :Drogar-BigGrin(DBG)
Actually I am (and will probably go with the M2 adapter). I'm just trying to decide which camera to buy which by the way is not an easy task. I keep changing my mind every 5 minutes.
R Gale
04-07-2006, 04:21 PM
Actually I am (and will probably go with the M2 adapter). I'm just trying to decide which camera to buy which by the way is not an easy task. I keep changing my mind every 5 minutes.
I'm also planning on an M2, (also on the wait list for the cinemek G35 which still has no finish date, and I need an adapter soon)
As for camera choice, it was easy for me. I just got my HVX and have been testing it. I plan to make a feature length thriller with it, and I swear, the beautiful slow motion capabilities alone are a steal at this price. I love it. :love4:
ropbo
04-07-2006, 11:25 PM
I plan to make a feature length thriller with it, and I swear, the beautiful slow motion capabilities alone are a steal at this price. I love it. :love4:
Nice !!! Hey, good luck on your movie, R Gale !!
I'm shooting a short film on S16 now in July and then will finally .... "join the digital side of the force" ... :crybaby:
:-)
Digital Angel
04-08-2006, 12:28 AM
A guy made a comment before on the forum about footage from this camera always behing of kids. The footage is nice, but dont let a social worker catch you in the UK. hahaha
Poi Boy
04-08-2006, 01:18 AM
R gale,
Thanks for the compliment. You are an emmy award winner; pretty cool ! ... are you planning on using the HVX on any of your projects ?
Aloha
-A
Poi Boy
04-08-2006, 01:23 AM
OOps, I guess I can't read. You are planning on shooting a feature with it. Even cooler !
Let us know how it goes when you get into production. Multiple cameras ? M2 ?
-A