Carlos_E._Martinez
11-09-2003, 04:43 AM
I have started this thread here, because some time ago I raised a question in the News section which didn't belong there really.
My question was whether I could record TC in a DV audio track and later resolve it as TC in Avid Xpress Pro.
At the same time I would record the same TC track in channel 2 of my DAT or MD recorder, double-system style, which would be later inputted into the same program.
From a mail on this Forum, I got an answer from MichaelP that said:
"YES. Xpress Pro will allow you to read audio timecode recorded as LTC on either of the audio channels captured over FireWire into the system. It is then decoced as metdata and added to a TC column to be used a common timecode refernce point for the AutoSync process."
Apparently the only catch is that I input everything through Firewire. I my case I could do it through my Canopus ADVC100.
But I raised the same quetion yesterday on a DMN Forum, namedly Avid Xpress DV/Xpress Pro Forum, and I got the following answer:
"No, Xpress Pro does not have Resolve Audio Timecode feature like Film Composer does.
Doing this on the field is not the best idea since it only leaves you one track for audio. 2 channel is the minimum for field recording.
If you camera has time of day and free run, you can rent a DAT deck that you can Jam Sync. Allowing you to have the exact same timecode.
However, to bring the DAT in with TC - you either need to dump it to DV or use a RS422 controlled DAT."
Even if truth is an ellusive thing, where is the real thing here?
Carlos
My question was whether I could record TC in a DV audio track and later resolve it as TC in Avid Xpress Pro.
At the same time I would record the same TC track in channel 2 of my DAT or MD recorder, double-system style, which would be later inputted into the same program.
From a mail on this Forum, I got an answer from MichaelP that said:
"YES. Xpress Pro will allow you to read audio timecode recorded as LTC on either of the audio channels captured over FireWire into the system. It is then decoced as metdata and added to a TC column to be used a common timecode refernce point for the AutoSync process."
Apparently the only catch is that I input everything through Firewire. I my case I could do it through my Canopus ADVC100.
But I raised the same quetion yesterday on a DMN Forum, namedly Avid Xpress DV/Xpress Pro Forum, and I got the following answer:
"No, Xpress Pro does not have Resolve Audio Timecode feature like Film Composer does.
Doing this on the field is not the best idea since it only leaves you one track for audio. 2 channel is the minimum for field recording.
If you camera has time of day and free run, you can rent a DAT deck that you can Jam Sync. Allowing you to have the exact same timecode.
However, to bring the DAT in with TC - you either need to dump it to DV or use a RS422 controlled DAT."
Even if truth is an ellusive thing, where is the real thing here?
Carlos