sy22
05-18-2009, 06:59 PM
Im just wondering that if some of you agree....
A long time ago there was 35mm 16mm. Both formats could achive any kind of depth of field. Some people intentionally made everything in focus http://en.wikipedia.org/wiki/Deep_focus
However, a shallower depth of field you bring attention to a subject so therefore cenimatographers began to rack focuses. However, now when you are looking around, everyone has their dof adapters. They can achieve any dof the want just like 16 or 35.
However, ive noticed that some people start using terms such as good an or great dof. Usually good or great means shallow.
Then people start thinking that the shallower the better so then nothing besides the subject is in focus with overused nonsensicle racks. I was thinking that then there wouldnt be a real purpose for art direction and set dressing and even location scouting. (you might be able to film a street scene in a bathroom at f1.4)
While watching some mainstream films ive noticed that the backgrounds are usually slightly blured but not beyond what a 1/2 in camera can do.
All in all with the advent of dof i fell that many people begin to see a tunnel vision by creating a picture that satisfies themselves but neither the audience or script.
... and im not against shallow dof for the right situation but not the whole movie
A long time ago there was 35mm 16mm. Both formats could achive any kind of depth of field. Some people intentionally made everything in focus http://en.wikipedia.org/wiki/Deep_focus
However, a shallower depth of field you bring attention to a subject so therefore cenimatographers began to rack focuses. However, now when you are looking around, everyone has their dof adapters. They can achieve any dof the want just like 16 or 35.
However, ive noticed that some people start using terms such as good an or great dof. Usually good or great means shallow.
Then people start thinking that the shallower the better so then nothing besides the subject is in focus with overused nonsensicle racks. I was thinking that then there wouldnt be a real purpose for art direction and set dressing and even location scouting. (you might be able to film a street scene in a bathroom at f1.4)
While watching some mainstream films ive noticed that the backgrounds are usually slightly blured but not beyond what a 1/2 in camera can do.
All in all with the advent of dof i fell that many people begin to see a tunnel vision by creating a picture that satisfies themselves but neither the audience or script.
... and im not against shallow dof for the right situation but not the whole movie