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  1. hit the 1000 ?
  2. Old Cine Lens
  3. Budgeting a small feature to shoot on RED?
  4. Training?
  5. Blowing out the background with the 18-85 lens?
  6. Red Money
  7. Timecode Slate
  8. REDCODE Question
  9. red workflow
  10. 2k vs 1080p
  11. Redcode Raw
  12. Cost of RedCine if not buying a camera?
  13. November 1st complete specs rumor
  14. Wide Angle Prime Lens
  15. I want to edit and post with this!
  16. Will Red be cheaper out of state?
  17. TimeCode In/Outs?
  18. Outside shot... ( First Exterior Red frame grab )
  19. I have 24 hours to come up with $1,000
  20. effect on HVX resale
  21. About the deposit...
  22. White balance
  23. Let's talk fundraising!
  24. Sony's 4K camera
  25. RED reservation CVS code?
  26. ASC & HSMPTE 4k event in LA
  27. Lets talk about LUTs...
  28. scanned/faxed signatures
  29. For people that cancel, can others 'buy' their reservation?
  30. First REDCODE image!
  31. Processing Questions
  32. Ordering on Oct 31st
  33. RED footage in Hollywood
  34. Redcode and s35 Aspect
  35. Red-flash
  36. Cheaper rectangular ultra wide angle
  37. Last-Minute Redservations... Are you in?
  38. Environmental Specs?
  39. 2K version of first exterior shot @ Red.com
  40. Red DOF concerns
  41. 35mm-sized chip vs 1/3 chip - why greater DOF?
  42. RED and Steadicam
  43. Deciphering 'RED SPEAK'
  44. DIGITAL SLR V REDCODE RAW comparison
  45. 3D Waveletts
  46. Redcine render times
  47. Two questions...
  48. More info...
  49. Bad pixels?
  50. Thank you...
  51. no, THANK YOU =]
  52. Field monitor for RED?
  53. Red still gallery updated with new 4k still!
  54. RedLed another idea for RED
  55. David Fincher, Peter Jackson, David Stump, Otto Nemenz and Warner Bros. @RED?
  56. RAW vs. REDCODE RAW
  57. how?
  58. I have an idea for workflow. shoot it down or hold it up.
  59. Bummed!!!
  60. stuff nobody talks about
  61. Lens protection
  62. Playback?
  63. Where will the Camera, lenses, and accessories be manufactured?
  64. Slo-Mo and REDCODE RAW questions...
  65. New 4K Frame @ Red.com
  66. Why Red?
  67. 4K@Home... a day in the life/a bullet in the head
  68. Take that Sony!
  69. Red One's low light performance
  70. what do "2K windowed" and "2K scaled" mean?
  71. life sucks
  72. 4,5k is enough for IMAX
  73. 1 frame per hour AKA Timelapse
  74. "Build Your RED-ONE" (i.e. "Build Your Scion")
  75. Variable Shutter Angle?
  76. 120fps at 4K ?
  77. Red Public Screening LA.. sign up now
  78. 120 fps and audio at the same time?
  79. 1.3 Prime Set possibility?
  80. RED T1.9 Prime Lens Set
  81. just short of making the red camera sentient...
  82. My Number's Up!!
  83. My Lens shortlist.
  84. FAQs...
  85. So that I understand
  86. Viable Lens choice
  87. Just how much DOF will I have with RED?
  88. Red in Anamorphic?
  89. 35mm Still, S35 Cine, and S16mm Cine Dimensions
  90. Resolution Chart
  91. Flash Drive experts?
  92. RED One vs. Silicon Imaging SI-2K
  93. Red-raid
  94. REDCODE, Cineform and platforms...
  95. Undercranking
  96. Frame Ramping?
  97. Field Testing
  98. SATA Harddrives + USB2 External Enclosure
  99. Shooting Macro with RED
  100. cutting redcode in FCP
  101. How modular is "modular-design"?
  102. cutting REDCODE in PP2.0
  103. RED and David Stump, ASC
  104. The latest on RedRail
  105. Minimal distance from lens rear element to sensor
  106. David Stump quote after RED shoot.
  107. When will red be available to none reservation holders
  108. Under/Over-cranking & T-stop
  109. Red Filters
  110. Lens Poll
  111. Unprocessed RGB REDCODE 2K
  112. Dave Stump Exclusive with Mike from Hd for indies
  113. My Plead to the RED Team for Alternative Lens Mounts
  114. How fast is REDCINE?
  115. 4K REDCODE RAW cropped/windowed = more FPS?
  116. What Limits a sensors......
  117. Confused about the reality
  118. David Stump (drifted off topic)
  119. The Red Zoom:Double function or not?
  120. The world is gonna change
  121. Digital Audio Inputs
  122. Dust on the sensor - Vibrating solution
  123. HDMI monitoring (INTENSITY)
  124. Vertical Line Troubles?
  125. Thank you Jim.... Nuart (off topic)
  126. The Mysterium sensor and the sun...
  127. Lens Motor for Red....
  128. Realistic RAID setup for shooting in remote locations?
  129. A little question about selling RED camera in Former USSR
  130. Wireless Video out solutions to field monitors
  131. Another idea ...
  132. I have an idea...RED 4k digital cinema festival.
  133. RED at DV EXpo
  134. Rodney Charters ASC Next Beta Tester?
  135. A few questions to be answered
  136. MOCO system
  137. Sony announces 4k camera.. and oh yes, a 1080 one too.
  138. The RED Story
  139. RED reservations mark
  140. Suggested New Nikkors for Red...?
  141. Thank You Again Jim
  142. I was going to sell my HVX... but...
  143. Any Reds in Montreal?
  144. exposure lattitude
  145. RED and RENDERING
  146. Animation rendering
  147. Single frame exposure
  148. Don't be scared...
  149. Looking for Argentinians Reservations
  150. Red Current Status.. via Mike from HDforindies
  151. RED RAW to 1080p workflow - suggestions?
  152. RED 1 with Humiditiy - tropics and snow.
  153. Can Red's LCD screen be mounted to body and closed?
  154. Storage options?
  155. RED 300mm lens weight
  156. Ship date of RED???
  157. 18 year old plans to surpass RED
  158. What's Included?
  159. Broadcast 2007 MADRID Spain
  160. RED 3D @ 48P : Arrivision/Stereovision
  161. A summary please
  162. RedCine - Data Transfer Check
  163. Fibre/Infiniband
  164. Firewire dv out
  165. 4k uncompressed streaming video
  166. Graeme native
  167. realtime 3d motion tracking data
  168. EVF Suggestion
  169. 4K B&W? & Australians! how much did it cost?
  170. Nikkor VR & G lenses
  171. Physical cable attachment
  172. REDONE Pre-Production units
  173. What frame rate should I shoot at ?
  174. LATE NOVEMBER UPDATE - VIA HDforindies
  175. Red Titanium 'R' Artwork
  176. The Idiot: Part Deux (some stupid questions)
  177. Workflow Overview - Hdforindies.com
  178. RED Switch/Mix
  179. Macbook pro's and Mac pro's with the red
  180. REDONE - record to camera?
  181. 4.5K REDCODE RAW in Camera?
  182. Expanded Focus
  183. Realistic Estimates
  184. Apology for "The Idiot"
  185. Can everyone take a break from posting over the holidays?
  186. Red Distribution
  187. Third party developers
  188. Poll: Avid or Final Cut
  189. Controller support from Redcine
  190. Locations
  191. RED, REDCINE with low-end applications
  192. Red Camera used with Vegas?
  193. Sell your RED Reservation!
  194. new HD monitor from JVC
  195. L.A. screening
  196. Will Red One have speed ramps?
  197. Follow Focus with stepdown?
  198. REDCINE and Color Grading
  199. RED Titanium 'R'twork - Post your R photos
  200. Red for ENG/EFP USE
  201. Red Antitheft Ownership database?
  202. Red @ Sundance?
  203. HD authoring
  204. Cine lenses vs Nikon/still lenses
  205. You got any RED?
  206. HDR in REDCODE RAW
  207. Makeup
  208. New D-Cinemas Worldwide in 2007
  209. Focus Assist?
  210. Defaulted Reservations
  211. Indi movement collectively gets better
  212. RedCode Raw Feed
  213. How power hungry will RED One be?
  214. RedCine questions
  215. Red Matte box
  216. Apple acquires Proximity Corp.
  217. a workflow option?
  218. Will RED come with a standard Anton Bauer Snap-On mount?
  219. stabilisation
  220. Insurance?
  221. guess what i found..
  222. best camera configuration
  223. All I want for Xmas is ...
  224. How are the little RED mules coming?
  225. This could be very useful for Red...
  226. Audio Inputs
  227. necessary accessories
  228. It may be late, but its not too late to do a Doc on RED.
  229. Redcode Lossless
  230. Red Motion Stabilizers
  231. RED can OEM 4K Projector as their Total Digital Cinema solution in 4K Chain
  232. Autofocus
  233. Barry Green's Little RED Book
  234. Change...
  235. High Definition:No Difference for TV?
  236. motion blur film vs video look
  237. Hylen Lens System
  238. Recent Info
  239. Test out: Independent graphic overlay info
  240. Which matte box for Nikon still and Red?
  241. I got bored...
  242. more red drive options available soon
  243. One new spec...
  244. Infinity
  245. Looking for a DP with RED in the FALL IN L.A.
  246. HiDef.org Pdf Ted Interview
  247. Interview with Ted Schilowitz now Online
  248. Red Two
  249. Next Screening of Red Footage
  250. Wrong value of prize?