View Full Version : Audio
- Wireless setup - mixer to camera?
- Rode NTG-2 boom stand
- I need help with my audio.
- TA5F to 2-channel 3-pin XLR cable?
- Proper technique when using the 442 with a 744T and an HVX
- No sound man. What to do?
- Final Cut Pro Sample Rate issues - out of the blue.
- translating film audio with musical audio
- How do you record strong bad weather?
- URGENT: Lost Audio On DV Tape?!?
- Shooting Bat and some release?
- Rycote S-Series 450 Windshield Kit
- Amp for JBL Control 1 speakers?
- home recording question..
- Shooting my first serious video, will this mic do?
- Rode NTG-2 Stopped Working??
- Greenscreen and a mic stand by myself?
- Shennhiser or Lectrosonics?
- how to hook up boom mic to my camera
- New SD Mixer/Recorder: 552
- PVC looking wind screen?
- K-Tek SoftZep $275.00 List!?!?!
- Good website for what frequencies can be used in which countries?
- White Space device news... for those who worry...
- A CHALLENGE: Booming in the rain. How can I do this?
- Speakers for sound cart?
- May be a tad off topic but what's the piano used in American Beauty's Theme?
- What budget for production quality wireless mic?
- Opals, or something else for music?
- Help with preamp or mixer...
- Mastering Audio in Soundbooth
- Wireless Audio at an Airfield
- Tascam HD-P2 vs Fostex FR2(TC)?
- Headphones help
- What is wrong with this clip?
- Zoom H2 vs Olympus LS-10
- Trying to create that horror scream
- Need pre/ADC advice. lookin for portable, xlr in, spdif out 24/96...for MT
- How to feed a Countryman B6, wired?
- Alternative to Sennheiser Lav?
- Mic for recording music for use in film
- Time code generator between Sound Device and HVX200?
- Unable to disconnect SKP 100 G2 from bottom of PSC boom pole
- special location sound question
- Ambient ALL601 and ACL203
- Getting a good wireless signal in an arena.
- Sennheiser wireless and why boom mics don't always work
- Good Audio Mixer - recommendations??
- Music for Political ads
- Zaxcom Goldline FS
- Essential instruments for composing?
- clipping question
- lav jack help
- What is the Best Boom Mic for less then 200$?
- Microphone Database
- XLR to 3.5mm adapters DIY Info
- Help! Need ambient background sound for short film
- Long vs short
- FCP 24 AND 30 FPS Audio Bug
- I am a Coffey Sound fanboy!
- Sennheiser G2 cable shielding problem
- Wireless Mic for Interviews
- Akg c 1000
- Schoeps Question
- Which mic should I pick up?
- How much to license music?
- Recording voiceover with Rode NTG2
- Affordable Video Monitor for Cart
- microphone to dvx100 or to mixpre+h4n..differences?
- Zoom H4n + The Demo Files
- Sennheiser G3 EW112P Wireless lav: Anyone use it yet?
- Help with my new H4n
- Hand mic
- Tascam HD-P2 Recording Help
- I Really Need Some Help (where to rent audio/light in Hickory NC)
- Marenius MM4210 Mixer?
- Music for your production
- Windscreens for Sennheiser ME66, Velour or foam?
- ordered new mic, received not new
- XLR converter to USB for MAC
- Zoom h4n with HIGH end shotgun boom condenser Sanken CS3e
- ZOOM H-4 Auto Leveling Issue.
- Zoom H4n Monitoring Question
- Recommendations for 7D + H4n workflow / Ground up production package build
- Recording live
- AKG 480 with CK capsules
- Sennheiser G2 and Me66
- Looking for a sounddesigner/soundeditor ?
- Royalty Free Music
- AKG CK93 windscreen?
- Need sound advice for my first HD project please!
- Which windscreen for NTG-2?
- TRAM TR50 + G2 Transmitter = Solid?
- Amateur's setup
- Can someone please explain the difference between these two Sennheiser G2?
- Need a free effect source: foley etc.
- Music Keyboard/Synthesizer question
- All I need to make Oktava MK012 work- Help Please
- TA3 to XLR Adaptor Question
- Digital Audio "watermarking" software
- Audio for Dance Group
- on camera adapter for a rode shock mount?
- Oktava MK012 w/ Hyper Cardiod Cap?
- Free Rode Blimp with NTG3 from Nov 1st?
- need review of this sound equip order please
- Thin XLR cable?
- Zoom H4N or Laptop + MBox
- GREAT deal on Cascade Fat Head Ribbon Mic Pair
- Mic/headphone on HPX300 question
- New Tascam Recorder
- Azden SGM1X decent budget mic?
- Building a ENG audio Kit
- Good Sound requires Good preamp?
- Rode Video Mic.
- Automatic Mixer good idea?
- Post-production Audio Work with Headphones instead of Studio Monitors?
- Recording audio for 35mm vs DVCProHD
- M-Audio BX5a, Mac Pro, what else?
- Sennheiser 2000 Wireless System?
- $300 Azden mixer
- Help me to choose
- I'm getting audio interference with the Zoom H4N when I use Phantom power.
- lapel Stickies
- Question- ME66 + hpx170 = no audio display on LCD?
- V/O Scripts
- Cable Choices - Audio Kit - Help
- buy rode ntg-2 + nt3 or just get rode ntg-3
- Monitors: Edirol MA-15D vs. M-Audio BX5a
- Sony PCM-M10 field recorder
- Maybe a stupid idea
- H4n for feature film
- Flash based mp3 recorders instead of wireless mics?
- Does the M audio Microtrack II accept line level?
- On Camera Mic Placement
- best audio camcorder
- Useful Audio Sheets
- to anyone with vast experience with Sennheiser G2 series
- Which of these is best for my shoot next weekend?
- Rode Videomic and HMC150 - good, bad, acceptable?
- Lav placement
- Wireless Boom?
- oraganic punch sound effect
- Post-Production workflow- Sound Forge?
- recording 2 channels with 3 mics?
- MKH416 very disapointed
- Buying a NTG-2, advice on kits
- H4N file transfer issues
- Sennheiser MKH 70, Tech HELP!
- Constant Hizz sound-CK93 and MixPre
- If you only had 2 mics....
- Whoosh sound effect.
- Advice on mic'ing this scene
- Onboard mic advice
- Edirol R-44 vs Zoom H4N - Any opinions please?
- The new kid in town
- boompole/fishpole - travel abroad
- Some Quick Questions about the Zoom H4
- Audio panning left to right
- Wireless Lavalier Mic
- what is a STK#? need to know for K-Tek boom pole
- SD 442 Discontinued
- shock mount for boom/cam hotshoe
- Levels
- Best mic for concert type shooting
- Good omnidirectional mic? And question!
- Hyper Storage
- 100b headphone noise
- RODE $1 Blimp
- Sound Devices mixpre to h4n
- Will Oktava fit Rode shock mount?
- Interior- 416 or ECM-77
- Hypercardiod or omni for interviews
- Countryman mic not working with G3?
- Rode NT1-A status?
- Boom Pole Recomendations?
- Articulated Boompoles worth it?
- K-tek shockmounts, blimp, bbg...how to know correct one for my mic?
- Place to get unlicensed music to use in videos?
- Azden SGM-1X Not working..
- AT 4073a Replacement Foam?
- Multiple wav lines in premier pro??
- Has anyone used an AKG C414B XLS on a boom?
- Why buy a mixer?
- the best way to reduce noise?
- Post-audio help needed?
- Looking for a Sound Effect
- I need some guidance...Concert type shoot
- 'Boom Buddy'
- 5d Mark II and Sound Devices 702
- Urgent: Basic Mic for SONY SR12
- Buying H4n from US? (for use in Australia)
- Audio is Really Quiet
- NTG-3 on camera?
- Need a mic for post voiceovers
- Interesting Mic Package - Avantone CK-1 Small Condenser w/3 Caps & Shockmount @ $149
- Heavy Noise boom Problem :(
- Indoor/Outdoor Solution for film
- X-mas Concert Advice ?
- On-Board Mic
- Need help minimizing outside sound
- Wireless microphone AND ear monitor???
- "Electrovoice 635A dynamic omni mic" as a boom mic
- Comparison of shotgun mic (Rode NTG2) to lav mic (Sennheiser G2)
- Can a 416T run on 9 volts?
- Interview mic, held off screen by interviewer
- Syncing Music To Picture (For Film Music Composers)
- Zoom H4N owners
- Selecting microphone(s) for film
- What can be done to distorted audio?
- Replacement mic for Sennheiser ew100 g2
- Recording Director/Producer Commentary
- Alesis issues
- Seeking Mic Opinions
- Tascam recorder
- A few newb clarifications
- Question to Rode Procaster
- Wireless for Weddings
- New Hypercardioid Microphone Test - Feedback Requested
- repairing a sennheiser power module.
- Washing a Rycote wind cover
- Going old school for sound recording
- Buzzing when converting mp3 to AIFF
- Audio/ Decibel Meter recommendations
- mixer to HVX200
- Zoom H4n/Sound devices mixpre while recording sharp loud sounds
- Headphone Feed to Director
- Difference between Oktava MK-012 and MC-012
- Recording Sound for Gunfire
- MIcrophone flexible for filming.
- Multi-track recording options
- Hypercardioid and shotgun mics for interviews
- Music for Behind The Scenes...
- Zoom H4n Configuration Question
- CS3e characteristics question
- Zoom H4n & JuicedLink
- Best way to handhold a mic?
- pro sound equipment for sell
- ZOOM h4n preamps are crap
- Using H4N mics wirelessly direct to HMC
- Shotgun sibilance?!
- Lectrosonics Question
- Indoor Shoot Mic options?
- Recognition, yet no recognition
- How to do the pros do it ?
- A new toy
- audio levels in a film.....
- Anyone have experience with Oade Bros modified recorders?
- Are headphone splitter cables that bad news?
- combining a wireless lapel mike with a shure 58
- hv20 and sennheizer wireless audio problem - pls help!!