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  1. Capturing audio from 7 people
  2. The Mixer
  3. Help building out wireless gear...
  4. Bam! Official Rode Blimp Price Drop- Yea dvxusers!
  5. Rode NTG-2 wind sound Problems
  6. need case/bag for sqn3
  7. Need Fostex FR-2LE "mic" trim advice ASAP
  8. Lavalier or shotgun?Both?
  9. Shooting first commercial project
  10. Zoom H4 lapel mics
  11. Web based footage-Audio?
  12. 500-750 what would you get
  13. lav microphones connection help
  14. Kit for Oktava MC012
  15. Shooting a feature on a DVX100A
  16. Rode blimp>>what case?
  17. Oktava!
  18. How to mic a wide shot
  19. ADR software?
  20. Your questions?
  21. Field mixer recommendations
  22. looking for a good reporter mic to do interviews at festivals
  23. Channel 2
  24. Wrapping Cable around the Boom
  25. The FCC F'ed Wireless Audio Users
  26. Atmos track question
  27. Best Way To Make Music Sound Like Car Radio?
  28. Audio Recorder...Recommendations?
  29. Upgrading to Zaxcom
  30. Mid-Side field questions
  31. Making a SD MixPre to Sennheiser G2 cable?
  32. British voice needed
  33. garage band with ktgranulator
  34. RODE Blimp
  35. Greenscreen + wired lav = bad?
  36. AT Wireless System Issue
  37. Mic question!
  38. EMW Flat, Shevled, or Peaked
  39. Getting rid of background noise (in post)
  40. when will my mic die?
  41. Sanken CS-1 or Audio-Technica AT4073a
  42. Room echo
  43. sound from inside a house
  44. Need a sound guy....
  45. Where to get sounds for (industrial) robot (hydro-pneumatic) movements?
  46. Boom test clip
  47. Need a Cheap but Good Portable Recorder (for MKE 400?)
  48. 2 mics on one Senheiser G2 wireless
  49. Mic to Record Loude engine sounds ??? HELP
  50. A question about double system without a mixer
  51. HPX 170 and Audio-Technica AT875r
  52. Live Opera audio for video
  53. Audio drift problem solving on a mac
  54. Explosive aka boom....Mics
  55. Changing spatial orientation
  56. Sound devices mixpre
  57. Soundtrack Pro workflow issues?
  58. First time filmmaker
  59. What's a good indoor mic that will cover 5 actors dialogue?
  60. Control Room Audio Setup
  61. Sound design questions (gunshots)
  62. Canon XL1s question
  63. Sound Setup for No Budget Feature
  64. Monitor Speaker Recommendations
  65. Typical rate for sound mixer and designer?
  66. Audio Interface and Camera
  67. DXA-4 balance issue
  68. simulating 'phone' audio
  69. lav and voice recorder
  70. Kid's voice from adults...
  71. Current parametric EQ'S ?
  72. Mic placement on Hollywood films???????
  73. Shooting in snow
  74. Help me with advice!
  75. What caused my clipping!?!?
  76. Nocturnal city sounds
  77. The Sound Guy vs Everyone Else
  78. sound(through camera)
  79. 16 bit or 24 bit?
  80. USA bought Sennheiser G2 use in China
  81. Brilliant microphone shock mount
  82. Recording Vocals While Listening to Guitar Track
  83. mic sugg
  84. Original Music for your projects
  85. Sound for feature help in central PA
  86. Clipping...
  87. have a shoot tomorrow
  88. Recording Vocals
  89. Tips on reducing fan noise from PC
  90. Sound Consistancy
  91. wireless clip mic
  92. got a rode ntg2
  93. countryman b3 vs b6
  94. splitting mono recording
  95. Need advice on shotgun mic selection.
  96. RODE NTG-2 Question
  97. Monitor while recording question.
  98. Y-Splitter for XLR out?
  99. audio levels on dvx/hvx?
  100. The AT-PRO7A
  101. Rode NT-55
  102. Best lav for hiding under clothing
  103. Which USB Mic for Voiceovers?
  104. inverse square law ?
  105. Lemony Snicket: Special feature on sound design
  106. Whats the difference
  107. I'm Looking for music
  108. Location Sound Workshop - Baltimore, Sat. Feb 21
  109. if you could only.....
  110. Audio HDR?
  111. What is the polar pattern for the Rode NT3?
  112. Shotgun help...
  113. Rode VS Octova
  114. Mic Setup
  115. Mic to camera, or field recorder?
  116. Recording live performance
  117. Sound doesn't seem to sync with waveform
  118. Default Production Sound for short doc in India
  119. Sound for Spec Commercial
  120. How will weather effect equipment?
  121. One receiver for 2 lav mics - any ideas?
  122. TC Helicon Voice Pro ?
  123. Composer available for film and television music!
  124. Sound Recording
  125. Free Laugh Tracks?
  126. MKH50 or MKH60 for voiceover?
  127. Sennheiser G2 issues
  128. Sony EX-3 audio level Q?
  129. Thank you dvxuser members...
  130. Wind noise ? Blimp?
  131. Sanken introduces new COS-11 variant lav mic
  132. Would this be a decent overall mic?
  133. Steinberg Nuendo 4 vs. Avid ProTools
  134. Sound Advice - What would you buy?
  135. Small Rackmount Mixer for Flightpack
  136. A decent mixer at a reasonable price
  137. Logic pro setup help
  138. Sennheiser G2 rebate info
  139. How to fix Hum with Wireless
  140. phase question - please help
  141. Another Tascam HD-P2 Time Code thead!
  142. audio levels
  143. What wireless transmission will be affected?
  144. Angry mob audio
  145. Zaxcom Wireless Preamp Quality
  146. Help fixing this ADR Work
  147. phantom power and the countryman b6
  148. Splitting my sound
  149. Field location audio mixers
  150. Best Audio Mixer for Mac Pro
  151. Pro Tools upgrade to 8
  152. DVX 100-B: Disable Onboard, in-camera mike
  153. XLR connections on the snow
  154. Plugging it into the mic port of my PC
  155. Oktava purchase
  156. In defense of Oleg
  157. Sound for concert
  158. Sennheiser 700Mhz C Band Rebate finally announced
  159. [OT] MP3 Bitrate
  160. Portable mp3 Recorder
  161. Using the Sennheiser MKH 60
  162. ISO: Sennheiser k3U Clips
  163. How to Capture Audio for a Roundtable Shoot
  164. The Rode NTG-3... the poor man's 416?
  165. Oktava MK012 and the GL2
  166. zoom h2 and countryman b6
  167. Public domain music downloads 4 films
  168. Modifying bitrates in MP3s
  169. Sounds for fighting scenes?
  170. free original music for your movies
  171. Jamming the Tascam's HD-P2
  172. AT897 vs AT875R - camera mounted
  173. Lessons Learned
  174. Large acoustic spaces
  175. Need a recommendation - onboard - super/hyper/card - $500. - must read!!
  176. anyone use the newer octava bella nero hyper?
  177. Audio for outdoor Musical performance
  178. An Audio Accident-- what happened??
  179. Headphone amp with through?
  180. budget alternative to the oktava 012, for interior dialogue....pleeeease help?
  181. anybody know of any u873r samples boomed from 2-3 ft away?
  182. minimum suggested accessories for octavia "bella nero" or "film edition" both hypers
  183. i know, i know, more oktava....lol.....last question
  184. Speeding up and down an audio file
  185. logitech 2.1 thx speakers
  186. whats the k-tek shockmount for the octavia 012?
  187. test question - $300 bucks one mic inside and out what do you buy?
  188. at 4041 cardioid as an internal dialogue mic?
  189. what confuses me is
  190. help finding lapel mic with full size xlr out
  191. Pro Scores film scoring software/music ?
  192. In Desperate need of some ww2 weapon sounds
  193. Shure MX 183/184/185 Lavaliers - Any input?!
  194. Getting around a faint hiss problem
  195. Good specs for building monitors
  196. Getting a LOT of noise on FMX-20, possible problems?
  197. Noise cancelling headphones
  198. Recording at 192 with Boom Recorder
  199. Samson Stage 5 Lavalier Microphone Wireless System. Any experience?
  200. Double System
  201. NTG-1 base noise? And some more extra newbie questions...
  202. mixer for freelance/personal projects
  203. Questions on the Marantz PMD670
  204. What mic is this?
  205. Boom Stand?
  206. Not just sound folks... (pretty OT)
  207. If I want sound effects
  208. do you edit your films with a soundtrack already in place?
  209. What cable do I need to plug into a soundboard?
  210. AT897 for use with Canon HF100
  211. 300 Series G2 vs Lectro UM400
  212. Need teenage beer drinking party ambience
  213. The Rode Blimp System... a quick overview.
  214. Inexpencive virtual instruments 4 protools?
  215. Carbon boompoles for under 400$
  216. Soundproofing Advice
  217. What do I need for a NTG-3 to use it with a EOS 5d MII
  218. Help with sound replacement ADR
  219. Gain on camera or in post?
  220. Pitch Change fix for 24p NTSC to PAL Conversion
  221. Mic and mic band case for EX1
  222. Building An Audio Kit
  223. Need some help ASAP
  224. Mixer or Audio Interface? I'm confused!
  225. Need efficient way to sync audio files with p2
  226. Post editing to remove a "click" in audio
  227. Juicedlink
  228. What's the best way to get audio on wide angle shots?
  229. Mics for sound effects recording
  230. Bad experience with sound-room.com
  231. Flash recorder advice
  232. Shooting a doc
  233. Where to purchase?
  234. Lav or Shotgun for room with poor acoustics?
  235. Audio wanted
  236. Event Opal Powered Monitors
  237. microphone levels with MX02?
  238. AT 875. Is it 875 or 875R?
  239. Can I connect my NTG-3 directly into my EX1 without the cable?
  240. Phantom Power
  241. Boom op
  242. Which audio channel to put Lav Mic on.
  243. EW100 Lav
  244. What is my kit missing
  245. Audio Question For A Short Film
  246. What do you think?
  247. converting 24bit to 16 bit
  248. Cinema Audio Society
  249. Planning to use HVX200 and Tascam HD-P2
  250. AKG Capsule/Preamp Question